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Learning Korean is as easy as A, B, C’s!

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Ever wondered what those K-Pop bands are singing about? Or what the actors in your favorite K-dramas are crying about? Well, wonder no more because this post of Glocal Notes is for you!  Needless to say, you are not the only one because a study by The Modern Language Association found that university students taking Korean language classes increased by 45 percent between 2009 and 2013, despite the overall decrease in language learning by 7 percent. According to Rosemary Feal, the executive director of the Modern Language Association, this increase could be a result of young people’s interest with Korean media and culture. Before going into learning Korean, let’s find out about Korean language itself.

The Korean alphabet was invented!

The Korean alphabet was invented in 1444 and proclaimed by King Sejong the Great in 1446. The original alphabet is called Hunmin chŏngŭm which means “The correct sounds for the instruction of the people.” As you can see from the name of the alphabet, King Sejong cared about all of his people.

Before the Korean alphabet was invented, Korean people used Chinese characters along with other native writing systems as a means of documentation. As stated in the preface of Hunmin chŏngŭm below, because of inherent differences in Korean and Chinese and due to the fact that memorizing characters takes a lot of time, the majority of the lower classes were illiterate. This was used against them by aristocrats to put themselves in a higher position of power. As expected, the new system of writing faced intense resistance by the elites who perhaps thought it was a threat to their status and to China. However, King Sejong pushed through his opposition and promulgated the alphabet in 1446.

Below is the paraphrased translation of the preface of Hunmin chŏngŭm.

The language of [our] people is different from that of the nation of China and thus cannot be expressed by the written language of Chinese people. Because of this reason, the cries of illiterate peasants are not properly understood by the many [in the position of privilege]. I [feel the plight of the peasants and the difficulties faced by the public servants and] am saddened by the situation.

Therefore, twenty eight [written] characters have been newly created. [My desire is] such that, each [Korean] person may become familiar [with the newly created written language of Korean] and use them daily in an intuitive way.

A page from the Hunmin Jeong-eum Eonhae

A page from the Hunmin Jeong-eum Eonhae, a partial translation of Hunminjeongeum, the original promulgation of the Korean alphabet. https://commons.wikimedia.org/wiki/File:Hunmin_jeong-eum.jpg

Korean is simple.

The construct of the system is simple. Because King Sejong knew that peasants did not have hours and hours to spend on learning how to write, he invented a system in which “a wise man can acquaint himself with them before the morning is over; a stupid man can learn them in the space of ten days.” The modern-day script has evolved into 24 characters and is called Hangul (한글) in South Korea and Chosŏn’gul (조선글) in North Korea. Due to its simplicity, both Koreas boast exceptionally high literacy rates, more than 99% in South and North Korea.

Fourteen consonants in Hangul

Fourteen consonants in Hangul http://www.antiquealive.com/Blogs/Hangeul_Korean_Alphabet.html

Ten vowels in Hangul

Ten vowels in Hangul http://www.antiquealive.com/Blogs/Hangeul_Korean_Alphabet.html

Consonants: What you see is what you write.

The shapes of consonants, ㄱ(g/k),ㄴ(n),ㅅ(s),ㅁ(m) andㅇ(ng), are based on how your speech organs look like when you pronounce these sounds. Other consonants were derived from the above letters by adding extra lines for aspirated sounds and by doubling the consonant for tense consonants.  

Shapes of consonants in Hangul

Shapes of consonants in Hangul
http://www.wright-house.com/korean/korean-linguistics-origins.html

Vowels: Three strokes encompass the world.

Various combinations of three strokes make up vowels in Hangul. A horizontal line (ㅡ) represents the Earth (Yin), a vertical line for the standing human (ㅣ), and a point (ㆍ) for heaven (Yang). This concept is derived from Eastern philosophy where heaven, Earth and human are one.

Vowel combinations in Hangul

Vowel combinations in Hangul
https://commons.wikimedia.org/wiki/File%3AHangul_Taegeuk.png
By Jatlas (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons

1 Block = 1 Syllable

The Korean alphabet consists of 14 consonants and 10 vowels. Unlike English, where letters are written in sequential order, Korean letters are combined into syllable blocks. Each block produces 1 syllable. A syllable block contains a combination of consonant/s and vowel/s. For example, since the word 한글 (Hangul) has two syllables, it has two blocks. Pretty easy, right?

Syllable Blocks for the word 한글 (Hangul)

Syllable Blocks for the word 한글 (Hangul)
http://allthingslinguistic.com/post/66133111314/why-the-korean-alphabet-is-brilliant

Learn Korean

If you have made it this far, you may want to check out some ways you can actually learn the language yourself. There are numerous resources and classes that will fit your learning style.

Take classes:

University of Illinois at Urbana-Champaign offers twelve Korean language courses throughout the academic year with varying levels. There are multiple scholarship opportunities for learning Korean! Check out Foreign Languages and Area Studies, Critical Language Scholarship Program, Middlebury Language Schools’ Summer Intensive Program Fellowship, and many more.    

Self-study tools:

Strapped for time during the semester? There are many self-study tools that will let you learn the language in your own time, location and pace.

Print resources:

  • Integrated Korean Series – Want to take a peek at what students are learning in Korean classes? This is the current textbook used by the University of Illinois at Urbana-Champaign’s Korean Language Program.
  • 서강 한국어 (Sŏgang Han’gugŏ) – Series of textbooks published by Sŏgang University in Korea and used by many Korean programs in American Universities.
  • 재미있는 한국어 (Chaemi innŭn Han’gugo) – Korean textbook series published by Korea University. Volumes 4-6 are available through the University Library.
  • Everyday Korean Idiomatic Expressions: 100 Expressions you can’t live without – Have you ever wondered about some Korean expressions from K-drama that just did not do it justice with word-for-word translations? Well, this book is for you! This book lists 100 idiomatic expressions with literal and actual meanings and usages with detailed explanations so you can be a Korean language expert. Here is the book intro.

  • 외국인을 위한 한국어 읽기 (Korean Graded Readers) – Want to read Korean novels and short stories but afraid that those may be too hard for you?  Here is a set of 100 books where Korean novels and short stories are divided into levels of difficulty.
  • Korean with Chinese Characters – Want to find out how Hancha (Chinese characters in Korea) is used in a Korean context? Here is a book that lists some common Hancha words used in Korean contexts.

Language through media:

Sometimes, learning a language may be less stressful if you follow a storyline. Here are some resources for you to explore Korean movies and dramas.

  • Media Collection at Undergraduate Library – Korean movies from diverse time periods are available through the Media collection at Undergraduate library.
  • Asian Educational Media Service (AEMS) – AEMS is a program of the Center for East Asian and Pacific Studies at the University of Illinois at Urbana-Champaign that offers multimedia resources to promote awareness and understanding of Asian cultures and people.
  • Asian Film Online – Asian Film Online offers a view of Asian culture as seen through the lens of the independent Asian filmmaker. Through a selection of narrative feature films, documentaries and shorts curated by film scholars and critics, the collection offers perspectives and insights on themes highly relevant across Asia, including modernity, globalization, female agency, social and political unrest, and cultural and sexual identity.
  • Ondemandkorea.com – Watch Korean drama and variety shows, for free. Many of the episodes provide subtitles in English and Chinese.

Other Resources:

  • Korean Language Program -The Korean Language Program at University of Illinois in Urbana-Champaign offers Korean and accelerated Korean language course tracks for non-heritage and heritage learners. These language courses are augmented with cultural instruction introducing students to both Korean culture and society using authentic texts and audio-visual materials including newspaper articles, dramas, films, documentaries, etc. Weekly events such as the Korean Conversation Table (KCT) are available during the semester to help you practice speaking in Korean.
  • Center for East Asian and Pacific Studies (CEAPS) – The Center for East Asian and Pacific Studies provides lectures, seminars, programs and events on East and Southeast Asia.  
  • Korean Cultural Center (KCC) Facebook Page – The Korean Cultural Center is a registered student organization and a non-profit organization at the University of Illinois at Urbana-Champaign. The group works to promote Korean culture through various events and programs. Visit their Facebook page to check out the latest event!

If you are interested in finding out more about learning Korean language or its culture, feel free to contact the International and Areas Studies Library at internationalref@library.illinois.edu. Also, don’t forget to follow our Facebook page for instant updates on cultural events and posts like this one.

Author: Audrey Chun

References

Algi Shwipke Pʻurŏ Ssŭn Hunmin Chŏngŭm. Sŏul : Saenggak ŭi Namu, 2008.

“The Background of the invention of Hangeul”. The National Academy of the Korean Language. January 2004.

Hunmin Jeongeum Haerye, postface of Jeong Inji, p. 27a, translation from Gari K. Ledyard, The Korean Language Reform of 1446, p. 258.

Korea. [Seoul : Korean Culture And Information Service], 2008.                    

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Adventures in Arabic, Part III

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This week we bring you our third and last entry in the “Adventures in Arabic” series. The content in Parts I, II, and III reflect eight months of elementary study of the Arabic language and include not only linguistic observations of interest but literary, cultural, religious, and strategic ones, too. Thank you for joining me on this journey. Or, that is, شُكْراً (shoo-krahn).

A girl writes Arabic calligraphy on a wall. Image Credit: Nur Meryem Seja on Flickr

A girl writes Arabic calligraphy on a wall. Image Credit: Nur Meryem Seja on Flickr

GRAMMAR

Gender applies here, too.

Remember that binary distinction that you had to make in Spanish class between el niño (boy) and la niña (girl)? Yes, gender appears as frequently and as importantly in Arabic, too. Just like the romance languages, French, Portuguese, Italian, Romanian, and more, nouns are divided into two classes, masculine and feminine, and the adjectives that modify them must abide by certain rules to respect the conventions of grammar. Even in English, word pairings like actor/actress, bachelor/bachelorette, god/goddess, host/hostess, waiter/waitress represent a similar concept.

Words belong to families.

A visual word map that traces different manifestations of the root ف-ه-م. Image Credit: Blogger Sawitri from myarabicnotes.blogspot.com

A visual word map that traces different manifestations of the root ف-ه-م (f-h-m). Image Credit: Blogger Sawitri from myarabicnotes.blogspot.com

Consider, for a moment, these groups or “families” of words below:

happy, happily, happiness, unhappily

interest, interesting, disinterested, uninterested

simple, simplify, simplistic, simply

In English, we have a base form of a word that provides a sort of template for additional suffixes and prefixes that we affix to its beginning or ending to establish new meanings. As outlined in the initial text used for Arabic 201, Alif Baa by Kristen Brustad, et al, in Arabic, “words are usually formed from a core of three consonants that constitute [their] basic meaning[s], called the root[s] of the word[s]. Words are formed by putting roots into different patterns or syllable structures” (207). For example, the root ب – ت – ك (k-t-b) will always address something in relation to the act of writing or the written word; the root س – ر – د (d-r-s) will always address studying; and ع – م – ج  (j-m-3*) will always address groups or plurality. These roots are organized in different patterns and coupled with various short vowels to indicate nouns, verbs, people, adjectives, and more.

k-t-b,  aktab (I write), maktaba (library), kitaab (book)

d-r-s, tadros (she studies), dars, (lesson), madrasa (school)

j-m-3*, aljamaعa (Friday), jaamiعa (university), tajmع (group)

SCRIPT

Transliterations are approximations.

A transliteration involves using the script of one language to write another. Unlike the Latin or Roman script used to write English, the Arabic script does not have letters for “p,” “v” or “x.” So, writing “Patricia,” “Victor,” and/or “Xavier” pose unique challenges. “P” and “v” are typically substituted by the Arabic letter “ب” (baa) while “اكس” (iks) is used to establish the sound of “x.” Accordingly, to make additional negotiations, “Champaign” is written as  “شمبين” (shambeen); “Europe” is “أوروبا” (oorooba) and “Harvard” is written as “هارفرد” (harfard). Also note that there is no capitalization in Arabic.

 The Arabic script can appear to be more “dainty” than the Roman script.

Take these words for example, all typed without any formatting and in the same size font. The Arabic words appear to be more condensed as they take up less space.

dog كلب

cat قطة

 fish سمك

Print vs. handwriting

There is a difference between reading a standardized font in print and reading someone’s cursive handwriting. This distinction would seem obvious as, inter-culturally speaking, even handwriting in English differs in appearance from language in print. See below:

A typed grocery list, from right-to-left and top-to-bottom: milk, eggs, strawberries, sugar, flour, banana, orange, meat, chicken, fish, dates, gum, eggplant, wipes, soap, juice, honey, watermelon, ice cream (a transliteration), chocolate (a transliteration).

A typed grocery list, from right-to-left and top-to-bottom. It reads: “milk, eggs, strawberries, sugar, flour, banana, orange, meat, chicken, fish, dates, gum, eggplant, wipes, soap, juice, honey, watermelon, ice cream [a transliteration], chocolate [a transliteration]”.

The same grocery list, as above, but in handwriting. See the previous image’s caption for a translation of the listed items.

The same grocery list as above, handwritten. See the previous image’s caption for a translation of the listed items.

 

 CULTURE

Some names are very common.

As in English with names like Michael, Matt, John, Jennifer, Stephanie, and Mary, there are certain names that will appear over and over again in Arabic. Among them are Ahmed, Mahmoud, and Mohammed (Muhammad) for men and Fatima, Khadija, and Salma for women. As in English with names like Mary and Sara, some of these stem from holy texts. Mohammed, for example, and the many derivations thereof, refers directly to the founder of Islam.

You can make yourself a celebrity by reciting the Koran.

In many Islamic societies, the recitation of Koranic verses, or “قراءة“ (qirat), is a highly prized ability. Many young talents who sing well on shows like American Idol, The Voice, and The X Factor are applauded for their voices; reciting the Koran in some places in the Middle East can garner fame and attention.

STRATEGY

Typing.

If you take learning Arabic seriously, there are some invaluable resources you need to have handy. Some of the greatest of these are the tools used to type the language in the absence of an Arabic-lettered keyboard. Each of the sites below will allow you to type and/or select the letters you need to create Arabic language texts.

A dictionary.

Guess what word is used most frequently in the Arabic language. “The” or “ال” is the first; the twelfth is “God” or “الله”; and the 93rd is “world” or “عالم“. With A Frequency Dictionary of Arabic: Core Vocabulary for Learners, students of Arabic can review the words that are most frequently used.

A screenshot of the University of Illinois' Summer Institute of Languages of the Muslim World

A screenshot of the University of Illinois’ Summer Institute of Languages of the Muslim World

Thank you for joining us on our Adventures in Arabic. In addition, we encourage you to study any other language with a script different from your own. In a world of shrinking borders, knowledge of your neighbors will surely be valued in whatever profession you assume. On the University of Illinois campus, Arabic is offered not only through the curriculum but also through short-term IFLIP courses and intensive SILMW courses over the summer. For more posts like these, be sure to like our Facebook page and tune in next semester for more from Glocal Notes and the International and Area Studies Library.

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Sports and Sovereignty: An Interview with Antonio Sotomayor

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Antonio Sotomayor, PhD, an Assistant Professor and Latin American and Caribbean Studies Librarian at the International & Area Studies Library at Illinois

This week we speak with our very own Latin and American and Caribbean Studies Specialist Antonio Sotomayor about his debut full-length book The Sovereign Colony: Olympic Sport, National Identity, and International Politics in Puerto Rico. In March 2016, Dr. Sotomayor and his book received an in-depth profile from the Illinois News Bureau in addition to other national and international coverage. Since the 2016 Olympic games, in Rio de Janeiro, Brazil, are growing ever nearer, we caught up with the author for a few more questions about this fascinating and little-studied topic.

Glocal Notes: Your book takes as its thesis that national sovereignty can be, more than many other means under colonial rule, expressed through athletics. What are some of the real impacts on politics or public opinion that have occurred as a result of Puerto Rico’s competition and success as a team in internationally?

Antonio Sotomayor: It depends on what you mean by “real.” I view Olympic sport, and sport overall, not only as representative of politics or culture, but as politics as such and as a cultural medium. In that regard, Puerto Rico’s membership as a sovereign nation in the Olympic Movement has “real” implications in the different dynamics involved in the Olympic movement that include international relations, foreign diplomacy, representations of the nation, women’s agency in a patriarchal society, etc. Hence, Olympic participation for Puerto Ricans has given them a voice on several international political issues throughout the existence of the delegation including the Good Neighbor policy, post-WWII reconstructions, different Cold War boycotts, etc. For example, in my book, I dedicate a chapter to the Cold War conflicts that came with Puerto Rico’s hosting of the Central American and Caribbean Games in San Juan in 1966 and discuss the different ways Puerto Ricans navigated Cold War and regional politics in relation to the participation of Revolutionary Communist Cuba. Some Puerto Ricans, as allies of the United States, wanted to exclude the Cuban delegation due to their communist ideologies and were even willing to go against any policy by the U.S. to uphold their beliefs. Other Puerto Ricans – those who sympathized with Communist Cuba – defended their Caribbean “brothers” and were willing to risk their freedom to do this. This event caught the attention of the regional and international media and the resolution involved the direct intermediation of the International Olympic Movement led by an American, Avery Brundage (President of the International Olympic Committee), and a Soviet, A. Andrianov (Vice-President).

GN: The internationally competing Iroquois Nationals lacrosse team is another example of sovereignty through sports. Can you tell us about any other examples of this phenomenon, whether historical, current, or in the planning stages.

AS: The Philippines competed at the 1916 East Asian Games as a sovereign country despite being a U.S. colony. Scotland participates as a sovereign nation in the FIFA World Cup – but with Great Britain at the Olympic Games. Taiwan participates as a sovereign nation at the Olympic Games as Chinese Taipei. On the other hand, the lack of Olympic sovereignty, despite being a cultural nation, can be seen in places like Catalonia, in Spain, which has petitioned to be recognized as an Olympic nation since the early twentieth century. These examples only portray how the Olympic Movement, rather than an apolitical movement focused on entertainment, makes very political decisions by allowing some countries to participate and denying recognition to others.

ProductImageHandler.ashx

Sotomayor, Antonio. (2016) The Sovereign Colony: Olympic Sport, National Identity, and International Politics in Puerto Rico. Lincoln: University of Nebraska Press.

GN: In your opinion, what are Puerto Rico’s chances of becoming a U.S. state or otherwise altering its political status in any way?

AS: Under the current socio-political, economic, and cultural conditions in the United States, I highly doubt that Puerto Rico will become a state of the Union. As for altering its status in any way, we’ll have to keep paying attention.

GN: There has been much in the news lately about Puerto Rico’s economic situation. Can you explain a bit about this?

AS: This is a very complicated issue and given that I’m not an economist, I might be misrepresenting the issue. But in very general terms, Puerto Ricans have had a complicated relationship with the U.S. and have grown increasingly dependent on U.S. markets. This occurred as early as 1898 when the U.S. took possession of the island after the Spanish-American War by transforming the growing local economy to fit U.S. capitalistic market interests. Local capital was destroyed in order to create dependency on U.S. goods and capital. This did not only happen through one-sided U.S. intervention; local capitalists who benefited from the new relations were also involved. Reforms during the mid-twentieth century only brought in further investment by providing tax incentives, a practice that continued until the 1970s. After new free trade agreements allowed U.S. businesses to relocate to cheaper markets, Puerto Rico slowly lost its edge and Congress eliminated the provisions for the tax incentives during a ten-year process, from 1996-2006. The remaining companies that left in 2006, coupled with the Great Recession of 2008,  created a “down-spiral of death” in the economy. Again, I’m oversimplifying the process. I would recommend that those interested in these issues read Judge Juan Torruella’s recent speech at the John Jay School of Law for a brilliant summary of the crisis.

GN: You open your book with a description of the thrill you felt while watching the live broadcast of Puerto Rico’s basketball team as they defeated the U.S. “Dream Team,” 92 points to 73, at the 2004 Summer Olympic Games in Athens. What are some other important events in Puerto Rican athletic history?

AS: My book is not really a chronicle of great games or great events in Puerto Rican sport history. As a U.S. colony, I think  the greatest event in Puerto Rico’s Olympic history is having an Olympic delegation in the first place, a process negotiated with the most powerful empire the world has known. This story of Olympic agency and will is Puerto Rico’s greatest achievement.

GN: Finally, if our readers ever travel to Puerto Rico, what are some must-do, sports-related activities they should add to their itinerary?

AS: They should attend a professional baseball game during the winter season. The Professional Baseball League of Puerto Rico was established in 1938 and was, along with the one in Cuba, a training ground for some Hall of Fame major leaguers like Willie Mays, Josh Gibson, Perucho Cepeda, and Puerto Rico’s national hero, Roberto Clemente. The league champions participate at the famous Caribbean Series of professional baseball. They should also attend a basketball game of Puerto Rico’s Baloncesto Superior Nacional league, the island’s most popular sport along with baseball. At these games, the visitor will experience Caribbean sports, which are full of passion, music, and talent. As for sightseeing, they should visit the Parque Sixto Escobar, an art-deco stadium from 1935, named after Puerto Rico’s first boxing hero. The stadium is next to the popular Escambrón Beach. You can also visit the Casa Olímpica de Puerto Rico, Puerto Rico’s Olympic Headquarters. Occupying the original YMCA building, the facility is great for hosting events and has an Olympic gym open to the public. A must-visit is Puerto Rico’s Albergue Olímpico in Salinas. There are athletic facilities to practice many sports and recreational activities. There are also children’s parks and pools, and you can visit Puerto Rico’s Olympic Museum.

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“The Fairer Sex” Films, Too

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Let us know your favorite female directors and/or movies directed by women in the comments below!

"We Can Do It!" poster for Westinghouse, closely associated with Rosie the Riveter, although not a depiction of the cultural icon itself.

The iconic “We Can Do It!” poster associated with Rosie the Riveter and female empowerment.

We heard you all loud and clear– you loved our March post on female authors from around the world! Just because Women’s History Month is over doesn’t mean we can’t highlight more talented female artists. So this week we bring you a post with films by female directors. And if you need further justification other than “we think it’s an interesting topic”, you may also be interested to know that:

  • April is Sexual Assault Awareness Month, and gender-based violence is a theme or undercurrent of many international documentary and feature films by women directors,
  • On Tuesday, April 5th from 7:00-9:00 pm the International and Area Studies Library is co-sponsoring a screening of one such film, “India’s Daughter” at the Spurlock Museum,
  • Renowned director Pang Eun-jin will be visiting the University of Illinois to screen two of her films, “The Way Back Home”, and “Perfect Number” on April 25, and 26 respectively.

Without further ado, here are a few fantastic films directed by a selection of talented women from around the world:

“India’s Daugther: The Story of Jyoti Singh”  directed by Leslee Udwin (2015)

Tags: India, United Kingdom, Jyoti Singh, rape, documentary

“India’s Daughter” is a harrowing documentary recounting the infamous 2012 gang rape case in New Delhi which resulted in the death of a young girl, Jyoti Singh. Both the incident and the subsequent release of the film sparked protests and international conversations about women’s rights and violence against women. The film was banned from screening in India but has nonetheless had a worldwide impact, having been screened in countries all around the globe. One of the aspects of the film that makes it controversial is that the director, Leslee Udwin, is not a South Asian, and the film cannot help but comment on societal conditions and attitudes that contributed to the incident. The film is also difficult to watch because it gives voice to the rapists, their legal counsel, and the families of the rapists including the wife of one of the rapists who laments her suffering and the suffering of her children while her husband is in jail awaiting possible execution. .

Poster designed by Rachel Storm to advertise the April 5th screening of the film "India's Daughter".

Poster designed by Rachel Storm to advertise the April 5th screening of the film “India’s Daughter”.

More like this: “Saving Face” a documentary on acid attacks in Pakistan by Academy Award-winning Pakistani director Sharmeen Obaid Chinoy; “Salma” a documentary by Kim Longinotto telling the story of a Muslim poet and politician in Tamil Nadu, India who was locked away and confined in her home by her family for many years.

“Wadjda” directed by Haifaa Al-Mansour (2014)

Tags: Saudia Arabia, Islam, girls, mothers and daughters, feature films

“Wadjda” is a bittersweet film about a little girl in Saudi Arabia who dreams of owning her own bicycle so she can race with her neighborhood friend. Her mother doesn’t want to buy her the bike because it is not considered a proper toy for girls. Wadjda decides to enter a Koran recitation contest so she can use the prize money to buy the bike herself. Just as Wadjda is running into walls about what is proper for women, we also see her mother struggle with this as her husband searches for a second wife and copes with an overly challenging commute to work as, presumably, she is not allowed to drive herself.  The film manages to find hope and humor in conditions where women’s lives are heavily policed from an early age. The film is all the more remarkable in that it is the first feature film shot entirely in Saudi Arabia. In an interview with NPR, director Haifaa Al-Mansour recounts the logistical challenges of trying to shoot the film in a country where she is not supposed to be outside or mingling with men to whom she is not related.

More like this: “Blackboards” by Iranian filmmaker Samira Makhmalbaf, a feature film about the lives of Kurdish refugees after the Iran-Iraq war; “The Square” by Egyptian filmmaker Jehane Noujaim on the Arab Spring.

“Girlhood” by Celine Sciamma (2015)

Tags: France, black diaspora, coming-of-age films, gangs, adolescence, feature films

“Girlhood” is an intense and complicated film to watch, especially as an American [viewer] in a time when racism and civil rights is dominating the news. While this film is set in France, this film shows the ways in which race and economics are inextricably linked, irrespective, it would seem, of one’s country of origin. These considerations become even more complicated when one realizes that the director, Celine Sciamma, is white. On the one hand, “Girlhood” is supposed to be a coming-of-age story, where race is just one small part of a larger context that focuses on the development of a single character. On the other hand, that character is developing within the context of joining a neighborhood gang, fighting, drugs, prostitution, and an abusive family. These issues are thoughtfully considered in an interview between Celine Sciamma and Ghanaian-born film and culture writer Zeba Blay. Taking aside the complicated racial politics of this story, this film is also worth watching for its beautiful cinematography and the masterful acting by newcomer actress Karidja Toure who plays the lead role of Marieme. Like “Wadjda,” the film finds some hope and humor within a bleak situation, but with an ending that leaves the viewer anxious: one is befuddles as to whether the s/he is seeing a happy ending or the set-up for a tragedy waiting to happen.

More like this: Celine Sciamma has two other coming-of-age films, “Tomboy” and “Water Lilies“. To try out a different French female director, you can also check out the work of Agnes Jaoui. The library has several of her films and if you need a break from serious films on difficult social conditions, you can start with her 2000 comedy, “The Taste of Others“.

“Take Care of My Cat” by Jae-eun Jeong (2004)

Tags: South Korea, friendship, young women, cats, feature films

“Take Care of My Cat” is a 2004 feature film about a group of friends who struggle to maintain their friendship and find their way after graduating high school in South Korea. One of the five girls, Hae-joo moves out of their smaller city of Inchon to try to make a new life in the more glamorous capital city, Seoul. Her success and ambition alienate her from other friends, most especially Ji-young. Ji-young is trapped by an impoverished home situation and has dreams that feel unattainable and hopeless. Trapped in between these two is Tae-hee who has both ambition and a difficult home situation. Tae-hee ends up in a place where she must choose between her two friends and in doing so choose a vision for her future. Observing the ways in which particular cultural conditions in South Korea impacted the girls’ choices and behavior was compelling while also considering the ways in which their struggles are universal. For example, Ji-young was unable to get a job she had applied for because she didn’t have an immediate relative to vouch for her, a custom that is largely irrelevant in the United States. Like women all over the world, for these girls becoming independent requires tough choices and unexpected development that can transform their personalities and values.

More like this: If you’re looking for another Korean film but would like to learn about North Korea, check out Yang Yonghi’s documentary “Dear Pyongyang“. For something completely different but still from East Asia, check out Joan Chen’s film “Xiu Xiu: The Sent Down Girl“.

Be sure to comment below letting us know what films you’d recommend that are directed by women or featuring them in lead roles. And be sure to like our Facebook page for more posts like these.

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“The Fairer Sex” Writes

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What writers would you highlight to commemorate Women’s History Month? Comment below!

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Image Source: suggestive celine (via Flickr)

March is Women’s History Month and an appropriate time to highlight some of the women’s voices that represent world literature. After all,

  • American Hillary Clinton, who is an author of five books, is running for the U.S. presidency,
  • Nigerian Chimamanda Ngozi Adichie, who is an author of five books, has a TED Talk that opens our courses concerned with social justice,
  • and Pakistani Malala Yousafzai, author of one book, continues to fight for the equal education of girls and boys.

Check out these literary works from across the globe that engage discourses of women’s and gender rights in ways that are frequently subversive, occasionally confrontational, and always powerful.

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Mahasweta Devi. Image Source: TopNews

“Draupadi” by Mahasweta Devi (1978)

Tags: India, South Asia, Bengali, short story

In a poor, post-colonial town in India, rumor has it that an infamous young woman, “Dopdi,” who has yet to reach the age of 30, has become a menace to local authorities. Fighting for labor rights and attacking officials without warning, she presents a dangerous local figure. Yet no one can identify her with any certainty. While the police have laid traps to draw her out of hiding in the forest, Dopdi continues to evade capture. In the end, what is meant to be Dopdi’s undoing invigorates her spirit and renders her an even more powerful threat. The best reading of this story is dependent on minimal research into the South Asian mythical epic of the Mahabharata. Themes of gender, sexual violence, and classism are strong threads in this short and powerful work. To continue the conversation addressing sexual violence as a world phenomenon and its prevalence in South Asia, attend the April 5th evening screening of India’s Daughter at the Spurlock Museum.

More Like This: Gayatri Spivak’s essay Can the Subaltern Speak? (India and postcolonial nations), most any title by Jhumpa Lahiri (India & the USA)

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Gayatri Spivak. Image Source: Rosa Luxemburg-Stiftung on Flickr

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Jhumpa Lahiri. Image Source: Il Circollo del lettori on Flickr

Nervous Conditions by Tsitsi Dangarembga (1988)

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Tsitsi Dangarembga. Image Source: Pan American Center on Flickr

Tags: Zimbabwe, Africa, English, novel

In this novel, “Tambu” is a young girl living in a country then known as Rhodesia in the 1960s. Because she is female, her ambition for academic study is not well supported by her community—that is, until her older brother suddenly dies and someone must take on a role of leadership and status to save her family from economic ruin. As Tambu is introduced to a new world of privilege, knowledge, and experience, readers examine what she leaves behind and what these sacrifices mean in shaping a new, hybrid identity. This bildungsroman succeeds in taking on the ambitious goal of engaging discourses of gender, colonialism, and competing cultures in a work deemed one of the most important to have come out of Africa. If you are a current University of Illinois student and interested in these themes and this novel in particular, consider taking a course taught by Dr. Manisha Babb. She teaches a cross-listed course called Modern African Literature offered in the English, African Studies, Comparative World Literature, and French departments, respectively as ENG 470, AFST 410, CW 410, and FR 410.

More Like This: Mariama Bâ’s Une si longue lettre (Senegal), Maria Nsué’s Ekomo (Equatorial Guinea)

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Mariama Bâ. Image Source: Wikipedia

A photo of Maria Nsue. Image Source: escritores.org

Maria Nsué. Image Source: escritores.org

Emails from Scheherazad (2003) by Mohja Kahf

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Mohja Kahf. Image Source: Aslan Media on Flickr

Tags: Syria, the Middle Eastern Diaspora, poetry

Do you remember Scheherazad(e)? She was the sole wife and queen to King Shahryar who eluded death by telling tales within tales that never ended? The stories of Aladdin, Sinbad, and Ali Baba all stem from this famous text. Mohja Kahf, a poet of Syrian descent, revisits this legacy in her compilation of poems. Emails from Scheherazad. Her bi-cultural identity informs and enriches her work, as seen in the poem “My Grandmother Washes Her Feet in the Sink of the Bathroom at Sears.” In it she describes being the product of both a Middle Eastern and an American culture. She regularly contradicts the widely held notion that being a Muslim and a woman is synonymous with being oppressed and her poems allude to globally recognizable female characters who face adversity—Eve, Malinche, Hagar, and more—suggesting a shared history and resilience. To get more connected to the local Muslim community on University campus, check out the United Muslims and Minority Advocates (UMMA) on Facebook.

More Like This: Arabian Nights/One Thousand and One Nights, Mona Eltahawy’s Headscarves and Hymens (Egypt & the USA), Ghada Abdel Aal’s I Want to Get Married (Egypt)

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Mona Eltahawy. Image Source: Aspen Institute (via Flickr)

 

A photo of Ghada Abdel Aal. Image Source Christopher Rose on Flickr

Ghada Abdel Aal. Image Source: Christopher Rose (via Flickr)

Yentl, the Yeshiva Boy by Isaac Bashevis Singer (1983)

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Barbara Streisand as Yentl. Image Source: Ziegfeld Girl on Flickr

Tags: Poland & the Jewish Diaspora, Yiddish, short story

This text is actually written by a man. Because it inherently engages questions of genders and their roles in society, and also features a female protagonist, it remains relevant to global literature that tackles issues concerning women’s lives. The main character in this work, Yentl, has been spoiled by her father as a child by being allowed to study sacred rabbinical texts, an activity strictly reserved for men in her community. When her father dies, not wanting to abandon her religious learning, she makes a plan to hide her sex and continue on her path of erudition. However, there are some unanticipated expectations associated with her new role as a male. The cinematic adaptation of Yentl starring Barbara Streisand is inextricably linked to this literary work. If you’re an enrolled student and interested in this area, seek out the Program in Jewish Culture & Society for more about works written in Yiddish and on the Jewish diaspora. A selection of the program’s courses can be found on the program’s website.

More Like This: Anne Frank, The Diary of Anne Frank, Deborah Feldman’s Unorthodox: The Scandalous Rejection of My Hasidic Roots 

A photo of Anne Frank. Image Source: Wikimedia Commons.

Anne Frank. Image Source: Wikimedia Commons

A photo of Deborah Feldman. Image Source: Zimbio

Deborah Feldman. Image Source: Zimbio

“Kinsey Report” by Rosario Castellanos

An image of Rosario Castellanos. Image Source: Milagros Mata Gil on Flickr

Rosario Castellanos. Image Source: Milagros Mata Gil (via Flickr)

Tags: Mexico, Latin America, Spanish, poetry

The title of this poem refers to American sexologist Alfred Kinsey, whose published works on human sexual behavior became well known in the mid to late 20th century. While this poem makes for a quick read, it remains in the reader’s memory indefinitely. It features six different feminine voices that expound on the condition of their gender. One woman reports on her marriage which has become a hollow and juridical union of self-sacrifice and anxiety; another fears being deemed a prude for lack of sexual activity or a whore for any carnal intimacy engaged outside of marriage; a third wistfully awaits a Prince Charming who will whisk her away from any care she might have. All of the voices problematize notions of female gender and show how societal expectations and traditional roles can, to say the very least, be limiting. For ways to find more Latin American literature, see this lib guide.

More Like This: All titles by Sor Juana Inés de la Cruz (Mexico), all titles by Clarice Lispector (Brazil), Sabina Berman’s (Mexico) Entre Villa y una mujer desnuda

A drawing of Sor Juana Inés de la Cruz. Image Source: Wikipedia

A drawing of Sor Juana Inés de la Cruz. Image Source: Wikipedia

A photo of Clarice Lispector. Image source: ana.claudia on Flickr

Clarice Lispector. Image source: ana.claudia (via Flickr)

Happy reading, sharing, and happy Women’s History Month! Let us know what additional authors you would add to this conversation. Also drop by the Main Library’s Marshall Gallery (first floor, east side of the building ) to see an exhibit curated by Leanna Barcelona highlighting women’s history at the University of Illinois. If you want even more titles, visit the Undergraduate Library’s post to commemorate Women’s History Month last year.

For more posts like these, make sure to like our Facebook page, where we share a new Glocal Notes article every week of the semester.

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