Creator: Reshmina Wiliam
Medium: Piano and vocal performance
The piece also addresses the spirit of exploration embodied in humankind’s voyages into the solar system, a sentiment shared by many of the engineers on the Voyager missions, who compared their work to the exploration of Ferdinand Magellan. On Valentine’s day 1990, Voyager 1 turned to look back at Earth one last time. Poised on the edge of the solar system, the spacecraft took a ‘family portrait’; from its vantage point, our planet was nothing more than a pale blue dot, less than a pixel across. The photograph, along with Carl Sagan’s famous commentary on it, sparked an environmental reawakening, and a reflection of the beauty, fragility, and uniqueness of our home planet.
I used a chordal structure based on fifths to represent the ‘Music of the Spheres’, and a piano texture that is reminiscent of ocean waves to evoke images of voyages across distant, open waters. The interplay between duple and triple time is a reflection of the complexities of wave interference, while the dichotomy between the minor verse and the major chorus creates a mood that is at once subdued and hopeful.