Drawing People: Practicing the Human Figure with Open Resources

It’s Open Access Week! Every year this international event brings the academic community together to discuss the benefits of free and immediate access to information, especially scholarly resources.

This week, I’ll be sharing open (and semi-open) resources for artists. When I’m not at the library desk, I like to draw, and I’m always on the hunt for high quality reference images. When learning how to draw people, you’ll often have to figure out a pose without the help of live models. References, however, are not always free or easy to find. Here some of the resources that I’ve found helpful over the years.

Practice and Reference

Line of Action

Provides both nude and clothed photos for study. Artists can start a drawing session by choosing the kinds of models, and the time intervals between photos. There are also posts here that give advice for improving your technique.

Bodies in Motion

This collection of motion images provides rapid sequence photographs of athletes and dancers. These images are a good way to study how the human body moves. Most of this content is only available with a subscription, but there are some free sequences. When browsing a section, click the “free” tab on the right-hand side of the page.

AdorkaStock

This stock photo collection has models with plenty of different body types. There are some fun poses in here: from fantasy to action, to sci-fi settings. All models are wearing clothing or flesh-tone bodysuits, so no need to worry about using it in a public space.

Sketch Daily

Provides a variety of photos in timed study sessions. You can choose to practice bodies, hands, feet, heads, or animals and structures. It’s a good tool for warm-up drawing with no fuss.

The Book of a Hundred Hands by George B. Bridgman

This book depicts musculature and examples of drawn hands in different positions. It can help you to focus-in on your hand drawing skills.

Figure Drawing for All It’s Worth by Andrew Loomis

Okay, so this one is from the 40’s and it shows; the majority of nude female figures are still sporting high heels. However, Loomis still offers many helpful tips. It contains an exhaustive instruction of perspective, musculature, the mechanics of motion, shading and lighting as well as exercises for practice.

Gesture Drawing

Gesture Drawing – The Ultimate Guide for Beginners

Practicing with the gesture technique can help you break out of “stiff” poses and figure out how to imbue your figures with character and expression. This guide contains an overview of gesture, videos of instruction, and a list of books on gesture.

Clothing

We Wear Culture

A good fashion reference site that showcases clothing through time and around the world. The information here gives context for clothing, bios of fashion icons, overviews of fashion movements, and the history of clothing items. It’s a good tool to inspire clothing design for the people and characters you draw.

History of Costume

You’ll have to create a free account on the Internet Archive to view this one. It’s a collection of costume plates from the 19th century. There are later editions of this book available, but this edition still contains original clothing pattern drafts.

Instruction

Love, Life, Drawing

This website provides free tutorials and podcasts on drawing topics with a focus on human figures. Sign up for the free “fresh eyes” drawing challenge, a ten-day course that teaches students to identify gesture and structure of the form.

FZD School

This resource isn’t human-figure specific but these videos are great resources for learning how to draw and design. Try “EP 30: Character Silhouettes” to buff up your character illustration skills. This channel is especially good for creatives interested in comics or illustration.

Muddy Colors

Muddy Colors posts helpful tips on all kinds of art topics from over 20 practicing artists. The site hosts paid classes from their contributing artists, but there is plenty of free advice here too.

Additional Resources

Character Design References

An independent website that showcases concept art from animation, games, and comics. There’s a little bit of everything here. I’d recommend checking out their visual library. There are anatomical references, character/creature design references, vehicles, props, and lighting/color tutorials.

Met Publications

The New York Met Gallery offers 609 publications of art, photography, sculpture and more, all free for download. This is an excellent place to find inspiration.

Happy Drawing!

Open Education Week 2022

Open Education Week

Open Education Week brings awareness to the Open Educational Resources (OER) movement and to the how OER transforms teaching and learning for instructors and students alike.

What is OER?

OER refers to open access, openly licensed instructional materials that are used for teaching, learning or research.

Why is OER Important?

OER provides free resources to institutions, teachers, and students. When incorporated into the classroom, OER can:

  • Lower the cost of education for students
  • Reinforce open pedagogy
    • Allow educators to update and adapt materials to fit their needs
    • Encourages students’ interaction with, and creation of, educational materials
  • Encourage open knowledge dissemination

OER Incentive Grant

The University is giving faculty an incentive to adopt, adapt, or create OER for their courses instead of using expensive materials. The OER Incentive Grants will fund faculty teaching undergraduate courses. Instructors can submit applications in three tiers:

  • Tier 1: Adopt – incorporate an existing open textbook into a course
  • Tier 2 Adapt – incorporate portions of multiple existing open textbooks, along with other freely available educational resources, modifications of existing open education materials/textbooks, or development of new open education materials
  • Tier 3: Create – write new openly licensed textbooks

The preferred deadline to submit a proposal is March 11th. If you are interested in submitting a grant but cannot make this deadline, please reach out to Sara Benson at srbenson@illinois.edu. To learn more about this program see the webpage on the Faculty OER Incentive Program.

Upcoming OER Publication

In conjunction with Sara Benson, copyright librarian at UIUC, and the Illinois Open Publishing Network (IOPN), co-authors Christy Bazan, Brandi Barnes, Ryan Santens, and Emily Verone will publish an OER textbook, titled Drug Use and Misuse: A Community Health Perspective. This book explores drug use and abuse through the lens of community health and the impact of drug use and abuse on community health. Drug Use and Misuse is the third publication in IOPN’s Windsor & Downs Press OPN Textbook series. See the video below to learn more about the process of creating this textbook.

Big Ten Academic Alliance Open Access Developments

Last month, the Big Ten Academic Alliance (BTAA) made a series of announcements regarding its support of Open Access (OA) initiatives across its member libraries. Open Access is the free, immediate, online availability of research articles coupled with the rights to use those articles fully in the digital environment. Put plainly, Open Access ensures that anyone, anywhere, can access and use information. By supporting these developments in OA, the BTAA aims to make information more accessible to the university community, to benefit scholars by eliminating paywalls to research, and to help researchers to publish their own work.

Big ten academic alliance logo

On July 19, the BTAA announced the finalization of a three-year collective agreement with the Open Library of Humanities (OLH), a charitable organization dedicated to publishing open access scholarship with no author-facing article processing charges. OLH publishes academic journals from across the humanities disciplines, as well as hosting its own multidisciplinary journal. This move was made possible thanks to the OLH Open Consortial Offer, an initiative that offers consortia, societies, networks and scholarly projects the opportunity to join the Open Library of Humanities Library Partnership Subsidy system as a bloc, enabling each institution to benefit from a discount. Through this agreement, the BTAA hopes to expand scholarly publishing opportunities available to its member libraries, including the University of Illinois.

Following the finalization of the OLH agreement, the BTAA announced on July 21 the finalization of a three-year collective action agreement with MIT Press that provides Direct to Open (D2O) access for all fifteen BTAA member libraries. Developed over two years with the support of the Arcadia Fund, D2O gives institutions the opportunity to harness collective action to support access to knowledge. As participating libraries, the Big Ten members will help open access to all new MIT Press scholarly monographs and edited collections from 2022. As a BTAA member, the University of Illinois will support the shifting publication of new MIT Press titles to open access. The agreement also gives the University of Illinois community access to MIT Press eBook backfiles that were not previously published open access.

By entering into these agreements, the BTAA aims to promote open access publishing across its member libraries. On how these initiatives will impact the University of Illinois scholarly community, Head of Scholarly Communication & Publishing Librarian Dan Tracy said:

“The Library’s support of OLH and MIT Press is a crucial investment in open access publishing infrastructure. The expansion of open access publishing is a great opportunity to increase the reach and impact of faculty research, but common models of funding open access through article processing charges makes it challenging for authors in the humanities and social sciences particularly to publish open access. The work of OLH to publish open access journals, and MIT Press to publish open access books, without any author fees while also providing high quality, peer reviewed scholarly publishing opportunities provides greater equity across disciplines.”

Since these announcements, the BTAA has continued to support open access initiatives among its member libraries. Most recently, the BTAA and the University of Michigan Press signed a three-year agreement on August 5 that provides multi-year support for the University of Michigan Press’ new open access model Fund to Mission. Based on principles of equity, justice, inclusion, and accessibility, Fund to Mission aims to transition upwards of 75% of the press’ monograph publications into open access resources by the end of 2023. This initiative demonstrates a move toward a more open, sustainable infrastructure for the humanities and social sciences, and is one of several programs that university presses are developing to expand the reach of their specialist publications. As part of this agreement, select BTAA members, University of Illinois included, will have greater access to significant portions of the University of Michigan’s backlist content.

The full release and more information about recent BTAA announcements can be found on the BTAA website. To learn more about Open Access efforts at the University of Illinois, visit our OA Guide.

An interview with Billy Tringali on JAMS and Open Access

This week I had the opportunity to talk to Billy Tringali. If you don’t know Billy he worked in the Scholarly Commons as a graduate assistant from 2016-2018 and now works as a Law Librarian for Outreach at Emory University. Our conversation this week was about a passion project that he started during his time here at Illinois. Billy is the founding editor-in-chief of a brand new open access journal, The Journal of Anime and Manga Studies (JAMS). The first volume of JAMS came out recently so be sure to go take a look!

"JAMS" with orange book icon and a dark gray background

How does JAMS fit into a broader scholarly conversation? What gaps in scholarship are you addressing with this journal?

JAMS is currently the only open-access journal solely dedicated to publishing scholarly articles on anime, manga, cosplay, and their fandoms. While there are other journals which publish works about anime, like the incredible Mechademia, they are not open-access. Anime and manga studies is such a diverse field, and there is a lot out there being published. The goal of the Journal of Anime and Manga Studies is to provide a space for academics, students, and independent researchers examining the field of anime, manga, cosplay, and fandom studies to access high-quality research about these topics and share their research with others.

Tell us about your experience working with the Illinois Open Publishing Network (IOPN). What advice do you have for scholars interested in using this resource?
Working with IOPN has been a dream. Such a qualified, helpful, and truly brilliant staff. If you want to use this resource (and why wouldn’t you?!) come prepared to work! JAMS went through a one-year long notes process before being accepted into IOPN, and they don’t publish low-quality work.
Did you always envision the journal as open access? Why or why not?
There was no point in time in which JAMS wasn’t going to be open-access. While I was attending the University of Illinois at Urbana-Champaign, I had more than 14 million items at my fingertips. It was amazing. So much knowledge just a click away. In my coursework I learned how imperative information access is to scholarship, and I could only imagine how difficult it must be for scholars at smaller universities and outside the academe to find peer-reviewed research on this subject. JAMS aims to be part of that solution by publishing work that can be accessed by anyone, anywhere.
What unique challenges do you encounter as a new open access journal that you were not expecting?
The truly worst (and also funniest, looking back) was the professor who doubled-over in laughter when I told them I was trying to start up an open-access journal about anime and manga. But for every person that scoffed at JAMS, there was another who was so interested and excited to see this project succeed. A wonderful lesson to learn as a young scholar was to persevere!
What are the advantages for scholars who publish their work under a creative commons license?
Publishing under a Creative Commons license allows your work to be seen by everyone. It’s as simple as that. Do you want people to see what you’ve made? Then a Creative Commons license is a great choice!
I know Anime and Manga studies is a small area for academic research in the United States. How has this impacted the peer review process? 
It’s actually not all that small! There are a wide variety of researchers doing work on anime and manga studies, they just all happen to be spread out among a number of fields! We have peer reviewers from a diverse set of backgrounds – from education, to information science, to fandom studies – who are all so passionate about anime and manga studies. Our peer reviewers do an incredible job strengthening the papers submitted to JAMS, and I am incredibly grateful for their willingness to dedicate time to this journal.
What are your hopes for the future of this publication? 
(Combining this the question that was above)
I mention this in my “Welcome from the Editor-in-Chief”, and I think I said it best there:
“I hope the Journal of Anime and Manga Studiescan exist as a space that publishes high-quality scholarship about anime, manga, cosplay, and their fandoms. I hope that JAMS can bring visibility to the deeper meanings, understandings, and cultural significance of anime, manga, cosplay, and their fandoms. I hope that, in making JAMS open-access scholarship about anime and manga can be accessible to everyone, regardless of university affiliation. As Aramata Hiroshi and the Kyoto International Museum of Manga imbued a burning desire in me, I hope that the papers you will read in this journal imbue the same sense in you to do all you can for this fantastic art form.”

It Takes a Campus – Episode Two with Harriett Green

Image has the text supporting digital scholarship, it takes a campus with icons of microphone and broadcast symbol

 

 

Resources mentioned:

SPEC Kit No. 357

University of Illinois Library Copyright Guide

 

For the transcript, click on “Continue reading” below.

Continue reading

Introducing the Illinois Open Publishing Network: Digital Publishing from the University of Illinois Library

The face of scholarly publishing is changing and libraries are taking on the role of publisher for many scholarly publications, including those that don’t fit the mold of traditional presses. Initiatives at the University of Illinois at Urbana-Champaign are working to address strides in digital publishing, increasing momentum for open access research, and the need for sustainable publishing models. This year alone, The Illinois Open Publishing Network (IOPN) has released five new open-access multi-modal scholarly publications. IOPN represents a network of publications and publishing initiatives hosted at the University Library, working towards high-quality open-access scholarship in digital media. IOPN assists authors with a host of publishing services—copyright, peer review, and even providing assistance in learning the publishing tools themselves and strategizing their publications in what for many is a new mode of writing.

Continue reading

Open for Whom? Open Access Week 2019

Open Access Week is upon us and this year’s theme, “Open for Whom?” has us investigating how open access benefits the student population here at the University of Illinois at Urbana-Champaign. According to the Open Access Week official blog, this theme is meant to start a conversation on “whose interests are being prioritized in the actions we take and the platforms we support” towards open access. They raise an important question: Are we supporting not only open access but also equitable participation in research communication?

To explore this question on our campus, on Monday morning, we set out on an initiative to see how much our students are paying for textbooks this semester and asked how free, open textbooks would help them. How might having access to open educational resources such as textbooks help our student body participate in research communication and the academic community of the University?

At the four major libraries across campus, posters were set up for students to anonymously indicate how much money they have spent on textbooks this semester. They did this by placing a sticker dot on the poster that best fit their expense range, as pictured below. Alongside each poster was a whiteboard with an open question that students could answer: “How would free, open textbooks help you?”

Grainger Engineering Library "How much did you spend on textbooks this semester?" Results

Grainger Engineering Library Results

By Tuesday afternoon these boards were filling up with answers from students. While this was an open board to post their thoughts, of course, we had some humorous answers including: “More money for coffee, “I would cry less,” and “More McChicken.” However, despite the occasional joke, the majority of the answers focused on saving money. Many students commented on the tremendous cost of higher education and not only the high prices of textbooks but the additional costs of supplemental online workbooks provided by Chegg, WebAssign, or McGraw Hill – Connect. Students agreed that textbooks as resources for their education should be free and available. A worrying result of these discussion boards was students sharing the ways in which they illegally access textbooks in lieu of purchasing them; many sharing links to illegitimate websites.

Comments on the discussion board at Grainger Engineering Library

Comments on the discussion board at Grainger Engineering Library

Comments on the question "How would free, open textbooks help you?" in the Undergraduate Library

Comments on discussion board at the Undergraduate Library

Comments on the question "How would free, open textbooks help you?" in the Main Library

Comments on discussion board at the Main Library

So, open for whom? Open Educational Resources (OER) offer a more affordable option for students and educators to access a quality educational experience. The Open Textbook Library describes open access textbooks as “funded, published, and licensed to be freely used, adapted, and distributed” and open for everyone’s use. Higher education institutions are gearing towards OER instead of requiring traditional textbooks and for students who are choosing between paying rent or purchasing textbooks, this can be life-changing.

Learn more about Open Educational Resources and how to find, evaluate, use and adapt OER materials for your needs.

What are you thoughts?

 

Open Access Textbook Resources

OER Commons – Open Textbooks

Punctum Books

How We’re Celebrating the Sweet Public Domain

This is a guest blog by the amazing Kaylen Dwyer, a GA in Scholarly and Communication Publishing

Collage of the Honey Bunch series

As William Tringali mentioned last week, 2019 marks an exciting shift in copyright law with hundreds of thousands of works entering the public domain every January 1st for the next eighteen years. We are setting our clocks back to the year of 1923—to the birth of the Harlem Renaissance with magazines like The Crisis, to first-wave feminists like Edith Wharton, Virginia Woolf, and Dorothy L. Sayers, back to the inter-war period.

Copyright librarian Sara Benson has been laying the groundwork to bring in the New Year and celebrate the wealth of knowledge now publicly available for quite some time, leading up to a digital exhibit, The Sweet Public Domain: Honey Bunch and Copyright, and the Re-Mix It! Competition to be held this spring.

A collaborative effort between Benson, graduate assistants, and several scholarly contributors, The Sweet Public Domain celebrates creative reuse and copyright law. Last year, GA Paige Kuester spent time scouring the Rare Book and Manuscript Library in search of something that had never been digitized before, something at risk of being forgotten forever, not because it is unworthy of attention, but because it has been captive to copyright for so long.

We found just the thing—the beloved Honey Bunch series, a best-selling girls’ series by the Stratemeyer Syndicate. The syndicate become known for its publication of Nancy Drew, the Hardy Boys, the Bobbsey Twins, and many others, but in 1923 they kicked off the adventures of Honey Bunch with Just a Little Girl, Her First Visit to the City, and Her First Days on the Farm.

Through the digital exhibit, The Sweet Public Domain: Honey Bunch and Copyright, you can explore all three books, introduced by Deidre Johnson (Edward Stratemeyer and the Stratemeyer Syndicate, 1993) and LuElla D’Amico (Girls Series Fiction and American Popular Culture, 2017). To hear more about copyright and creative reuse, you can find essays by Sara Benson, our copyright librarian, and Kirby Ferguson, filmmaker and producer of Everything is a Remix.

If you are a student at the University of Illinois at Urbana-Champaign, you can engage with the public domain by making new and innovative work out of something old and win up to $500 for your creation. Check out the Re-Mix It! Competition page for contest details and be sure to check out our physical exhibit in the Marshall Gallery (Main Library, first floor east entrance) for ideas.

Logo for the Remix It competition

Wikidata and Wikidata Human Gender Indicators (WHGI)

Wikipedia is a central player in online knowledge production and sharing. Since its founding in 2001, Wikipedia has been committed to open access and open editing, which has made it the most popular reference work on the web. Though students are still warned away from using Wikipedia as a source in their scholarship, it presents well-researched information in an accessible and ostensibly democratic way.

Most people know Wikipedia from its high ranking in most internet searches and tend to use it for its encyclopedic value. The Wikimedia Foundation—which runs Wikipedia—has several other projects which seek to provide free access to knowledge. Among those are Wikimedia Commons, which offers free photos; Wikiversity, which offers free educational materials; and Wikidata, which provides structured data to support the other wikis.

The Wikidata logo

Wikidata provides structured data to support Wikimedia and other Wikimedia Foundation projects

Wikidata is a great tool to study how Wikipedia is structured and what information is available through the online encyclopedia. Since it is presented as structured data, it can be analyze quantitatively more easily than Wikipedia articles. This has led to many projects that allow users to explore data through visualizations, queries, and other means. Wikidata offers a page of Tools that can be used to analyze Wikidata more quickly and efficiently, as well as Data Access instructions for how to use data from the site.

The webpage for the Wikidata Human Gender Indicators project

The home page for the Wikidata Human Gender Indicators project

An example of a project born out of Wikidata is the Wikidata Human Gender Indicators (WHGI) project. The project uses metadata from Wikidata entries about people to analyze trends in gender disparity over time and across cultures. The project presents the raw data for download, as well as charts and an article written about the discoveries the researchers made while compiling the data. Some of the visualizations they present are confusing (perhaps they could benefit from reading our Lightning Review of Data Visualization for Success), but they succeed in conveying important trends that reveal a bias toward articles about men, as well as an interesting phenomenon surrounding celebrities. Some regions will have a better ratio of women to men biographies due to many articles being written about actresses and female musicians, which reflects cultural differences surrounding fame and gender.

Of course, like many data sources, Wikidata is not perfect. The creators of the WHGI project frequently discovered that articles did not have complete metadata related to gender or nationality, which greatly influenced their ability to analyze the trends present on Wikipedia related to those areas. Since Wikipedia and Wikidata are open to editing by anyone and are governed by practices that the community has agreed upon, it is important for Wikipedians to consider including more metadata in their articles so that researchers can use that data in new and exciting ways.

An animated gif of the Wikipedia logo bouncing like a ball

Paywall: the Movie – A Conversation on Open Access

This is a guest blog by the amazing Kaylen Dwyer, a GA in Scholarly and Communication Publishing

Logo for Paywall movie

Help us celebrate Open Access Week by joining us for a free screening of Paywall: The Movie on October 24th at the Independent Media Center from 7 – 9 pm hosted by the Scholarly Communication and Publishing Unit at the University of Illinois Library. The screening will be followed by a discussion moderated by Sara Benson, the Copyright Librarian, with panelists Sheldon Jacobson, Andrew Suarez, David Rivier, and Maria Bonn.

Full information about the event is available at this web address!

Paywall’s director, Jason Schmitt, estimates that scholarly publishing is a US $25.2-billion-a-year industry, a figure bolstered by soaring profit margins of 33% (compared to Walmart’s 3%, as cited by the filmmaker). This for-profit publishing model is further complicated by the fact that while most academic research is funded by the public, the articles remain behind expensive paywalls.

Then, one minute and 58 seconds into the documentary, viewers are hit with a paywall that asks them to pay $39.95 to continue watching. Jarring and unexpected, a paywall in a documentary still irritates. Yet for many of us, the paywalls we encounter for articles are just part of the routine that says, “Find another way.”

Schmitt says, “This profit has an implication—it limits amount of individuals around the globe who can solve the world’s most complex problems, and that affects us all.” The film specifically looks at how paywalls impact the global south, as a 2001 World Health Organization (WHO) survey found that 56% of research institutions in low-income countries did not have any subscriptions to international scientific journals.

In response to his hopes for what Paywall will accomplish, Schmitt says, “Open access is important to accelerate innovation and growth in a worldwide community of scholars, scientists and practitioners…I feel this documentary could play a role in exciting a worldwide conversation about access to scholarship in a digital age.”

We look forward to the screening and we hope you will join us next Wednesday at the Independent Media Center!

About the Panelists:

Sheldon Jacobson is a professor of computer science at the University of Illinois at Urbana-Champaign, applying research and advanced analytics to address societal issues facing our nation. His recent article, “Push Versus Pull,” in Communications of the ACM looks at some of the problems with open access publishing.

Andrew Suarez is an associate professor of Animal Biology at U of I, focusing on the social organization and developmental plasticity of insects to address the fundamental questions in ecology, evolution, and behavior. His article, “The Fallacy of Open Access,” in the Chronicle of Higher Education addresses solutions we should be seeking in addition to open access publishing.

David Rivier, associate professor of cell and developmental biology at U of I, brings expertise in bioinformatics and scholarly publishing within the sciences.

Maria Bonn, an associate professor at the ISchool, previously served as the associate university librarian for publishing at the University of Michigan Library and was responsible for initiatives in publishing and scholarly communication. Her research remains focused in that area as well as networked communication and the economics of information. Among her contributions to the open access conversation are, “Free exchange of ideas: Experimenting with the open access monograph” (College and Research Library News, 2010) and “Maximizing the benefits of open access: Strategies for enhancing the discovery of open access content” (College and Research Library News, 2015).