The Honduras Water Project

The University of Illinois provides its students with many opportunities to learn about different countries and cultures, engage in international work and also learn through service-learning. One exciting opportunity for students at UIUC is a course that has been offered for the past 3 years. Supported by the College of Engineering, the Honduras Water Project gives students an opportunity to apply classroom learning to real-life work.

UIUC flyer for the Honduras Water Project Course -- Illinois-Span-Advising Website

UIUC flyer for the Honduras Water Project Course — Illinois-Span-Advising Website

This course spans two semesters and includes the opportunity to travel to the Central American nation of Honduras. Working with a local NGO in country, students learn how to design a gravity-flow water distribution system while also learning how to ensure sustainability of the project. During the trip, students visit the specific community where the designed system will be implemented. They get to know the community as well as collect information to better meet the needs of its residents.

Ann-Perry Witmer, the course instructor, believes the Honduras Water Project is unique because of

The interdisciplinary nature of it. It’s a fabulous opportunity for engineering students to broaden their understanding while collaborating with other students. Everyone is able to learn from each other while expanding their own understanding of the world.”

Honduras is a Spanish-speaking country located in the north-central part of Central America. It has a population of over 8 million people and the capital city is Tegucigalpa, located in the south-central region of the country.

 "Map of Central America" by Cacahuate, amendments by Joelf - Own work based on the blank world map. Licensed under CC BY-SA 4.0-3.0-2.5-2.0-1.0 via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Map_of_Central_America.png#/media/File:Map_of_Central_America.png

“Map of Central America” by Cacahuate, amendments by Joelf – Own work based on the blank world map. Licensed under CC BY-SA 4.0-3.0-2.5-2.0-1.0 via Wikimedia Commons

The Honduras Water Project course focuses on working with rural communities in Honduras, along with the help and collaboration of a local Honduran non-governmental organization, Agua y Desarrollo Comunitario (ADEC). ADEC is based out of Marcala, Honduras, but works in many rural areas, thus fostering its ability to provide support to the Honduras Water Project courses throughout the years. This NGO assists UIUC students throughout the entirety of the course because of its experience in water, sanitation, health, and hygiene projects in rural areas of Honduras.

Picture of the ADEC sign in Marcala, Honduras - from a previous trip, posted on http://hwpillinois.weebly.com/

Picture of the ADEC sign in Marcala, Honduras – from a previous trip, posted on the course’s website

As mentioned above, the course is led by Ann-Perry Witmer, a practicing Civil Engineer and Teaching Associate with the College of Engineering at UIUC. Ann has worked on a number of international service projects and emphasizes the importance of understanding sociopolitical and cultural influences while working on contextual engineering designs of a project as well.

When asked what she would like the UIUC community to know about the course, Ann responded, “These opportunities exist to step outside your own comfort zone and learn from others while sharing your own knowledge.” Also, that because of this class “we’re redefining how international service is done, to make it more sustainable and more recipient-focused.” Furthermore, “At the root of courses like this is the focus of building respect for the developing world  – and appreciation for how large it is – and then how much we can learn from them.”

Group of UIUC students from a previous trip -- photo by Ann-Perry Witmer

Group of UIUC students from a previous trip — photo by Ann-Perry Witmer

This course is not reserved only for engineering students. Rather, it incorporates students from all departments and disciplines who then come together to work through every step in the process of understanding the problem, creating a contextual design, and working hand-in-hand with the community.

I am enrolled in the course and have had the great opportunity to work with students from all levels and all departments throughout the semester. Currently I am a second year graduate student in African Studies at UIUC. I have spent time working with an NGO in East Africa on a water project, installing shallow wells for clean drinking water in rural communities. With this experience, my passion for water was born. I realized how extremely important water is; that water is life. While pursuing my degree in African Studies here at UIUC, I have taken courses in health, urban planning, and engineering that have all complemented one another and helped to provide me with a more holistic view of international service projects. I am excited to have found a class that takes an interdisciplinary and holistic approach to an international service project and I’m glad that I can share my experience working in East Africa with everyone working on the project in Honduras.

This course is divided into two different semesters. The fall semester of the class is focused around preliminary design work and also how to incorporate a holistic view of the project, including emphasis on the technical, social, and political components of the project. The spring semester will be focused more on the finalization of the design as well as grant-writing to fund the project. We are currently continuing preparations for our trip to Cerro Verde, the community that we will be working on the design with.

A group of students and alumni mentors (students from previous years) will be traveling to Cerro Verde, Honduras from January 7-17, 2016. While there we will be doing a number of things, including household surveys, water-quality testing, health and hygiene education, and also on-site collaboration with ADEC, the community members, and the local water committee.

For the final project of this semester, the Honduras Water Project class will be giving a conceptual design presentation to discuss what we have accomplished in the course this fall, as well as what our plans are for the trip in January. This presentation is open to the public, in the hopes of raising awareness of the project, and will take place on Tuesday, December 15th at 7pm in Deere Pavilion. All students, faculty, and community members are welcome to attend. 

Flyer for the Honduras Water Project Conceptual Design Presentation, December 15, 2015

Flyer for the Honduras Water Project Conceptual Design Presentation, December 15, 2015

I will also be doing a follow-up post this spring, detailing what was accomplished during the January trip, as well as how the design, funding search, and future implementation plans are going.

This is the third project in three years for Honduras Water Project. For more specific information about the past projects, visit the Honduras Water Project website.

When asked about the future of the course, Ann-Perry Witmer responded, 

“This is just the start. We have a course this spring that is building on Honduras Water Project by researching the impact that engineering design has on communities. I would like to see it to continue to grow on an understanding that any discipline involved in international development can benefit. An interdisciplinary approach needs to be more widespread. And it will only make engineers stronger.”

To get access to more posts like these, follow our Facebook page and be sure to check back in January to learn about my experience in Central America! 

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A Journey to Latin America through Films

LAFF posters

Image Credit: UIUC-CLACS: Latin American Film Festival/Art Theater Co-Op

As valuable as it is to study other countries’ histories and contemporary cultures through classes, academic books, and papers, it is equally important to approach them through their people’s own voices. This is always a critical task for building fair and inclusive views of the world. And there are a lot of voices still to be heard from contemporary Latin America’s artists, academics, and in general, from its people.

That is why, on this blog, we would like to celebrate spaces such as Champaign-Urbana’s annual Latin American Film Festival. This event allows us to see beyond the commonplace and to experience diverse views about realities that might be either familiar or unknown to us. Also, the International and Area Studies Library is excited to announce our recent acquisition of “Latin America in Video,” a large database of documentaries from independent producers throughout the region. This resource is available to the entire campus community.

L.A. in video2

Image: “Latin America in Video” database, provided by Alexander Street Press, LLC

Recently, between September 18th and 24th, the 8th Annual Latin American Film Festival took place. The event was organized by the Center for Latin American and Caribbean Studies (CLACS), led by CLACS Associate Director Dr. Angelina Cotler, and hosted at the Art Theater Co-op in downtown Champaign.  From the 30 to 35 films that Dr. Cotler receives each year, 6 to 8 are selected for screening. This year’s Festival included 7 films originating from Cuba, Mexico, Uruguay, Argentina, Chile, and Brazil.

Like every year, this year’s film selection opened the door to an immersive experience in  diverse social relationships, historical contexts, political situations, varied musical experiences, different landscapes, and of course, the people of the nations represented. The 2015 Festival included films tackling issues such as illegal migration and the altruistic mission depicted in the film Llévate Mis Amores (Mexico). Family violence, social inequities related to class and gender, educational issues in difficult social environments (Conducta and El Vestido de Novia, both from Cuba) were all at the fore. Also covered were critical approaches to past political authoritarianism (Zanahoria, from Uruguay); stories that reveal the complexities of modern urban life (Yo No Soy Lorena, from Chile), social status in rural settings (A Coleção Invisível, from Brazil); and humorous topics relating to the clichés of a pretentious filmmaker in Buenos Aires (El Crítico de Cine, Argentina).

If you would like to know more about contemporary film production in Latin America, here are some great books you can find in our library:

And these are just a few! Many more interesting books are available at different library locations.

As for this year’s Festival, Angelina Cotler’s recommendations were (Conducta, Cuba) and The Invisible Collection (A Coleção Invisível, Brazil). For her, “These are films of an extremely high quality and sophistication. They are the type of films that you start watching and cannot stop; that make you think, enjoy, laugh, and even cry.” (Watch the trailer of Conducta here). She also has recommendations for her all-times favorite Latin American and international films. What’s more, you can find most of them here, at the Undergraduate Library Media Collection! Some of her all-time favorites we invite you to watch are Amores Perros (Mexico), which is one of the most renowned Latin American films of all time, Fresa y Chocolate (Cuba/Spain/Mexico), La Historia Oficial (Argentina) and Lucia (Cuba).

Image Credit: sahaymaniceet.wordpress.com

Image Credit: Popcorn and Balderdash

And that is not all!  We invite you to take a look at the great collection of Latin American Films covering a wide range of topics and genres, such as the Argentinian contemporary dramas El Secreto de Sus Ojos, Anita, and XXY; Mexican films about soccer and rivalry like Rudo y Cursi; and renowned films from that country such as Como Agua para Chocolate and Y Tu Mamá También; Chilean films about that country’s political history like Missing; or love stories based on famous novels such as Cachimba. Other films about Cuba include the fictional Guantanamera and documentaries about women and literacy such as Maestra. Films about armed conflict in Colombia that stretch beyond the usual approaches include Los Colores de la Montaña; others deal with urban settings in that country, like Karen Llora en un Bus. There is even a collection of silent films!

If you have questions about Latin American films, history, or any other research interest about this region, you may contact our Latin American & Caribbean Studies Librarian,  Professor Antonio Sotomayor, Ph.D.

You may also find many more Latin American and other international films at the Undergraduate Media Collection. Here you can find international films at the Local U of I Catalog, where you can filter the search by the region, language, and topic of your interest using the menu in the column on the right side of the screen. Also, here are some instructions about how you can search films at the Undergraduate Media Collection in the Classic Catalog. Also, there are a variety of specialized area films, as the Korean Film Collection, and the Africana Film Database.

Don’t miss the Latin American Film Festival next year! In the meantime, visit the library, pick up some great movies, and have a pleasant, eye-opening journey!

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Africana Librarians Council meets in Urbana-Champaign

librarians at illini union

Information workers from the Africana Librarians Council pose outside Illini Union on their last evening in Urbana-Champaign

Chicago, Illinois. Bloomington, Indiana. Madison, Wisconsin. New Haven, Connecticut. Boston, Massachusetts. Los Angeles, California. From far and wide the Africana librarians came. Meeting for their biannual reunion, some 25 librarians, all members of the Africana Librarians Council (ALC), gathered in Urbana-Champaign over the April 24th weekend. Organized by Dr. Atoma Batoma, the International and Area Studies’ current African Studies librarian, and Al Kagan, Dr. Batoma’s predecessor, the weekend was full of important discussions of the group’s progress and priorities, entertainment, networking and touring.

atoma batoma

Current African Studies librarian Dr. Atoma Batoma addresses his guests during Thursday afternoon’s reception.

The librarians were warmly received at a Thursday reception in the International and Area Studies Library where University Dean Wilkin addressed the group. The meet and greet gave the information professionals a chance to say hello to familiar faces and to meet new ones. It was the evening’s events, however, that further warmed the tone of the affair. Guests were invited to the campus’ YMCA for dinner where traditional African foods including chicken yassa, a dish native to Senegal and common in other Western and coastal regions of Francophone Africa, and jollof rice were served. Local band Super Mazumzum played popular covers by African musical artists Miriam Makeba (South Africa), Fela Kuti (Nigeria) and Rex Lawson (Nigeria). Zambian graduate student at the University of Illinois Chipo Sakufiwa and guitarist Rick Deja led the group’s musical renditions.

chicken yassa

Traditional West African dishes of chicken yassa and jollof rice are served at the Thursday evening reception.

After dinner, University of Illinois entomology professor Dr. Barry Pittendrigh and Assistant Director of the Center for African Studies Dr. Julia Bello Bravo gave an enlightening presentation on their work with and for Scientific Animations Without Borders (SAWBO). SAWBO aims to provide animated, educational content in video format to people and communities whose literacy levels are diverse and whose information needs are high. Taking advantage of a strong trend known as “m-learning,” the use of mobile devices to address a variety of learning needs, Dr. Pittendrigh encouraged audience members to download and test SAWBO’s application. He emphasized the versatility of this platform in developing accessible media related to healthcare, women’s empowerment and agriculture in a variety of languages spoken around the world. Lastly, Extension System In Your Wallet (ESIYOW) was distributed to all in attendance which comes in the shape of a business card and serves as a highly portable and convenient USB drive for quick and easy information transfer.

sawbo

Scientific Animations Without Borders (SAWBO) representatives distribute unconventional USB drives to ALC guests.

The following day, the ALC’s formal meetings began. Head of the International and Area Studies Library Steve Witt spoke to the audience regarding his experience overseeing the merging of multiple different area studies groups that were once largely autonomous. These include (Sub-Saharan) African Studies, North African and Middle Eastern Studies, Slavic, East European and Eurasian Studies, South Asian Studies, Chinese Studies, Korean Studies, Latin American and Caribbean Studies and a few more. This compiling of area studies inspired questions regarding professional buying trips supported by the university, the differences between area studies librarians and subject specialists and how to adequately provide support staff for such a diverse library. Other agenda items included the discussion of developing an online bibliography of Africa course that would be available to students at multiple universities, Title VI (a government source of funds stemming from the Higher Education Act of 1965), and upcoming panels and committees.

sw at alc

Head of the International and Area Studies Library Steve Witt addresses the Africana Librarians Council.

The next evening, Al Kagan invited everyone to his home where the next generation of Africana librarians was discussed, Sakufiwa returned to serenade the group and dinner was catered by local restaurant Layalina Mediterranean Grill. This event was one of Dr. Batoma’s and Al Kagan’s many collaborations, an important one being  their 2014 joint publication Reference Guide to Africa which was acknowledged earlier this month by the Research and Publication Committee (RPC). Al Kagan’s strong structure for the regularly offered U of I course LIS 530M Bibliography of Africa lives on and is led through the Graduate School of Library and Information Science (GSLIS). Overall, the weekend was spent in enriching communion, honoring the important work Africana and area studies librarians and library workers carry out in representing a continent, its histories and its many peoples.

at al kagan's home

Africana librarians from various institutions of higher education chat post-council meetings at Al Kagan’s home.

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Singer Chipo Sakufiwa and musician Rick Deja of band Super Mazumzum perform at Al Kagan’s home.

africana trio

From left to right: Former African Studies Librarian Al Kagan, current Vice Provost for International Affairs and Global Strategies Reitumetse Obakeng Mabokela and U of I Graduate School of Library and Information Science (GSLIS) Alumna Inka Olasade

african grad students

Current U of I graduate students from left to right: Mbhekiseni “Bheki” Madela from South Africa, Telamisile Mkhatshwa from Swaziland and Tumani Malinga from Botswana

three african ladies

From left to right: Current U of I Kenyan doctoral student Anne Lutomia (Kenya), Associate Director of the Center for African Studies Maimouna Barro from Senegal and her daughter

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How international is the library at the U of I?

bookmark

A compilation of various book covers. Prepared by Graduate Hourly Sonal Modi

Friday afternoon, April 10, the International and Area Studies Library (IAS) hosted “Embracing Internationalization at the University Library:  Global Impact of Collections, Services and Expertise.” The event aimed to recognize the ways in which several members of and units in the University Library system support and create opportunities to serve an increasingly globalized patronage. Dean of Libraries and University Librarian John Wilkin opened the gathering by introducing the guest of honor, Dr. Reitumetse (ray-too-met-see) Obakeng Mabokela, the university’s Vice Provost for International Affairs and Global Studies. In her opening remarks, Dr. Mabokela shared that her experience as an international student began on the University of Illinois campus some two decades ago. She is originally from South Africa, and having worked in higher education for more than 15 years, she emphasized the importance of grooming graduates who are globally minded and can work both comfortably and competently all over the world. This goal became even more compelling in light of the fact that the U of I enrolls nearly 10,000 international students per year, a figure among the highest in the nation.

panel

Guest of honor and panelists. Photo Credit: Robert Sarwark

Following Dr. Mabokela’s remarks, the audience, which was comprised of various workers from the library system, heard from a select panel whose work and current projects meet the library’s mission to further internationalize U of I collections, collaborations and curricula. Head of the International and Area Studies Library Steve Witt highlighted the U of I’s Slavic Reference Service that is active and highly valued both domestically and abroad, receiving 3,000 reference questions per year. William Mischo, the Head of the Grainger Engineering Library, spoke of the International Institute for Carbon-Neutral Energy Research (I2CNER) which aims to facilitate technology transfer across the globe. The Associate Professor and Director of Undergraduate Studies in History Dr. John Randolph promoted the strong tradition of interdisciplinarity supported on campus as demonstrated by the Summer Research Laboratory. Assistant Director of the Mortenson Center Susan Schnuer described the center’s signature Associates’ Program which annually invites librarians from all corners of the world to meet, train and network together. And Global Studies Librarian Lynn Rudasill introduced the audience to the World Sustainable Development Web Archive, an initiative that aims to allow users to examine websites that may no longer be live.

Desafinados

Desafinado band performs at reception. Photo Credit: Robert Sarwark

After the panelists’ remarks, the meeting was followed by a warm and lively reception in the IAS Library which allowed for all in attendance to discuss their projects and to casually commune. Popular Brazilian covers were played by local band Desafinado and lead singer Elis Artz who works for the university’s Lemann Institute for Brazilian Studies. Caterers served authentic Brazilian hors d’oeuvres including marinated hearts of palm, pão de queijo (a Brazilian cheese bread) and chocolate truffles. Ultimately, the event effectively showcased the University Library’s commitment to embracing internationalization and how we support the collective mission of serving an increasingly globalized public. For more events and updates like these, follow us on the IAS Facebook page and visit us in the Main Library Room 321.

Three ladies

From left to right, South Asian Librarian Mara Thacker, IAS Graduate Hourly Katrina Spencer and Cataloger Qiang Jin. Photo Credit: Robert Sarwark

 

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Women’s History Month: International Female Hip-Hop Artists

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United Electrical Workers (UE) and Frente Autentico del Trabajo (FAT) mural on the UE Hall at 37 S. Ashland, Chicago, IL 60607.

Women’s History Month may be coming to an end, but why not continue recognizing and celebrating the women that have shaped our lives and the direction of international hip-hop culture. In this week’s blog, I provide a sample of female hip-hop artists from throughout the world. Each artist has a distinct story and background that they share with the public, whether it’s through music or interviews. The list is inspired by a Hip-Hop Feminism course I took my first semester in the University of Illinois and I encourage the readers to take the leap to learn more about the artists listed below.

I remind you, this is not a comprehensive list, but rather a slight push to help you discover more about these women and hip-hop, motivate you to find other female hip-hop artists, and most importantly, support female MCs.

Meryem Saci

Algerian born, singer/songwriter/MC Meryem Saci is part of a multicultural hip-hop group called Nomadic Massive based in Montreal, Canada. She and her mother fled Algeria due to a civil war and immigrated to Montreal. Saci has not released an album, but she has worked with many international artists and is currently in the process of releasing her first solo project. She is also part of the multimedia agency ‘The Medium’ which includes a roster of other independent artists working together to produce an art form that is free from corporate influence. The following video is an interview with Meryem Saci, who talks about her journey from Algeria to Canada and her experience as a female artist.

“MERYEM SACI – Singer, Songwriter & MC”

Ana Tijoux

Chilean-French singer/songwriter/MC Ana Tijoux first collaborated with a hip-hop group named Mazika. Afterwards, she went solo and was recognized for her single “1977”, which was also featured in the television series ‘Breaking Bad’. The messages in her albums are in Spanish and vary from love, politics, challenging patriarchal systems, birth, motherhood, and more. Tijoux has five albums, which includes her 2014 release ‘Vengo’ which is known for the singles “Vengo” and “Somos Sur.” The video below is a 30 minute interview from Democracy Now.

“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood & Hip-Hop as ‘Land for the Landless”

Poetic Pilgrimage

London-based, Jamaican-bred, Hip-Hop/spoken word duo ‘Poetic Pilgrimage’ have produced music for many years. Recently, they have been recognized by social media and news outlets such as Al Arabiya, Al Jazeera, HipHopDX, Huffington Post, and many more. As a hip-hop group, Munira Rashida and Sukina Abdul Noor identify as Muslim, and have been working to show the public the similarities shared between their Islamic faith, cultural and ethnic background, and hip-hop culture. Poetic Pilgrimage have released ‘Star Women: The Mixtape’ followed by their 21 track mixtape ‘Star Women,’ including other singles and spoken word releases. The following link is from Aljazeera’s program The Stream that interviews Poetic Pilgrimage, welcomes other Muslim artists, and encourages the public to use social media to become a part of the discussion.

“The Stream – Poetic Pilgrimage rappers strike a chord with Islam”

Shadia Manosur

British-Palestinian artist Shadia Mansour, the “First Lady of Arabic Hip-Hop,” is well-known for her outspoken demeanor and politically charged lyrics. Her songs deal with issues of the oppression and discrimination experienced by underrepresented communities, especially Arabs. She has traveled to Latin America, and has also worked with the non-profit organization Existence is Resistance’ to work and perform with other hip-hop artists and youth in Palestine. Mansour has yet to release an album, but has many singles under her belt, including her most recent track “El Kofeyye Arabeyye” (the Arabic Kufiyyeh).  The video below is a short interview of Shadia Mansour by the United Kingdom’s Foreign & Commonwealth Office.

“Shadia Mansour on creative freedom in Britain”

Rocky Rivera

Filipino-American journalist/instructor/activist/hip-hop artist Rocky Rivera has written articles for magazines such as Rolling Stone and The Source, to name a few. She is the first woman in the record label BeatRock Music and is a feminist gangster MC, just check out her discography and music videos. The last album she released was ‘Gangster of Love’ and a free mixtape ‘Rock & Roz Present Rose Gold.’ The following video is an interview by radio show host Miss Special, who interviews Rocky Rivera about her career from journalist to independent hip-hop artist and involvement in her local community.

“Rocky Rivera Interview”

Soosan Firooz

Soosan Firooz is an Afghani actress hip-hop artist who fled Afghanistan with her family from the Taliban. She lived as a refugee in Iran and Pakistan, and has returned to her home in Afghanistan where she raps about the oppression of Afghan women. Firooz is “Afghanistan’s first female rapper”, but Firooz’s publicity has led to death threats and rejection from some family members. However, she continues to make music with the support of her father and with the conviction to change society and continue to provide for her family. The following video gives the viewer a brief look at Firooz’s life in Afghanistan and the struggles she has to endure being a female artist and a provider for her family.

“Afghanistan’s first female rapper undeterred by threats”

Mayam Mahmoud

Egyptian born Mayam Mahmoud took the public by surprise when she appeared in an American-inspired show, Arabs Got Talent, veiled and rapping on the microphone. A young woman in her early 20s, Ms. Mahmoud has taken it upon herself to rap with a purpose and convey a positive message as counterargument to commercial hip-hop and its debasing lyrics towards women. At a time when the Middle East, especially Egypt, continues to undergo social and political changes, Ms. Mahmoud’s public appearance and perseverance is a sign of her hope to transform misconceptions of women artists and raise awareness of injustices against women.

“Egypt’s first veiled rapper, Mayam Mahmoud”

 

If you are ready to take the next step, I encourage you to continue your search by visiting the following sites in order to discover more international female MCs:

The following link provides a list of 500+ female hip-hop artists compiled by a person of many hats, Davey D: journalist, adjunct professor, hip-hop historian, talk show host, radio programmer, producer, dee jay, media and community activist. Some links do not work, but do not be discouraged, there are many more artists to discover.

500 Female Emcess Everyone Should Know – (Davey D’s Ultimate List)

Nomadic Wax, is an event production company specializing in international hip-hop. The company recently released a free mixtape ‘World Hip Hop Women SoundSIStem Mixtape hosted by DJ Lajedi.’ The project includes 19 transnational MCs, and you can learn more about them by clicking on the following link:

WORLD HIP HOP WOMEN: SOUNDSISTEM – THE ARTISTS

The last article is a collection of Latin American female hip-hop artists. Although it is a small sample, the featured artists push borders and challenge the stereotypical image of Hispanic women endorsed by corporate media and hip-hop:

Five Women That Are New Voices In Latino Hip-Hop

Finally, the International Area and Studies Library has acquired a new book on international hip-hop that you can check out from our collection of circulating books:

The organic globalizer: hip hop, political development, and movement culture

 

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