“The Organic Globalizer: Hip Hop, Political Development, and Movement Culture”

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The Organic Globalizer: Hip Hop, Political Development, and Movement Culture,” edited by Christopher Malone and George Martinez, Jr., is a compilation of essays that explore the ways in which hip hop culture serves as an “organic globalizer.” In the opening chapter, Malone and Martinez define organic globalizer as a movement which “builds a network of grassroots institutions geared toward social justice and political participation both locally and globally” (Malone and Martinez, Jr., 5). Hip hop developed during the early 1970s “among African Americans and immigrant populations in the urban United States” (Flaherty, 131) and has ever since traveled throughout the world, giving other marginalized communities a voice to raise social awareness and promote change.

The authors explore hip hop as a “means of expression for groups that are historically marginalized and outside of traditional political, institutional access to power” (Flaherty, 131-32) from America’s inner-cities and industrial prison complex to the colonized lands of Palestine, Australia, Africa, and Latin America. From the socio-economic disparities and injustices endured by these transnational communities, the authors propose that “hip hop, rooted in a movement culture, has been an artistic medium used to foster awareness, build and transform social institutions, and/or encourage political activism in local communities that have largely found themselves marginalized” (Malone and Martinez, Jr., 15). Therefore, hip hop unites the struggles of international peoples and serves as a force for political engagement, cultural awareness, and social justice on a global scale.

In May 16, 2001, the United Nations sponsored and recognized hip hop as an international culture through the Hip Hop Declaration of Peace. This declaration lists 18 principles which “seek to maintain the dignity and respect of individuals, cultures, tribes, and peoples of the globe . . . [and to promote hip hop] as a veritable source of conflict resolution” (Malone and Martinez, Jr., 11). To honor the message of “The Organic Globalizer” and the forthcoming Hip Hop Awareness Week, I encourage you to visit the International and Area Studies Library to check out “The Organic Globalizer” and the rest of our collection and resources. And, make sure you watch the following videos by artists I consider organic globalizers: Aisha Fukushima, DAM, and Nomadic Massive.

Aisha Fukushima

Vocalist, speaker, RAPtivist, instructor and international artist Aisha Fukushima hails from Seattle, Washington/ Yokohama, Japan. She navigates and explores the intersections between hip hop and social justice through her project RAPtivism, public performances, and speeches. The following video further elaborates on her accomplishments and the work that she has done.

“Hip Hop Lives–Raptivism Around the World: Aisha Fukushima at TEDxSitka”


Da Arabian MC’s (Suhell Nafar, Tamer Nafar, Mahmoud Jreri) are known as the first Palestinian hip hop group from a neighborhood called Lyd/Lod. Their work speaks to the struggles of the Palestinian people living under occupation, challenging ethnic and cultural stereotypes, and raising social awareness. Recently, DAM added a new member to the group, Maysa Daw, and they have worked on a new project through a joint effort with the United Nations Population Fund (UNFPA) which addresses the oppression of patriarchal structures. Here is the group’s new video for their single “Who R You?”:

“#Who_You_R (Official Video)”

Nomadic Massive

Nomadic Massive a Montreal-based hip hop group composed of 8 members: Vox Sambou, Nantali Indongo, Lou Piensa, Waahli, Ali Sepu, Meryem Saci, Rawgged MC, and Butta Beats. This super, multicultural and multilingual group of artists conveys their messages in French, English, Creole, Arabic, and Spanish. They have given workshops and worked with international communities, like Haiti, Cuba, Brazil, etc. The following video speaks about the origins of the group and their work to empower and build sustainable communities through hip hop culture.

“TEDxConcordia – Nomadic Massive”

If you are interested in learning more, the following links will direct you to University of Illinois professors, and their curriculum vitas (CVs), for a list of interdisciplinary presentations and publications on hip hop culture.

Dr. Ruth Nicole Brown

Dr. Karen Flynn

Dr. Adam J. Kruse

Dr. Samir Meghelli

Love. Peace. & Hip Hop.

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Women’s History Month: International Female Hip-Hop Artists


United Electrical Workers (UE) and Frente Autentico del Trabajo (FAT) mural on the UE Hall at 37 S. Ashland, Chicago, IL 60607.

Women’s History Month may be coming to an end, but why not continue recognizing and celebrating the women that have shaped our lives and the direction of international hip-hop culture. In this week’s blog, I provide a sample of female hip-hop artists from throughout the world. Each artist has a distinct story and background that they share with the public, whether it’s through music or interviews. The list is inspired by a Hip-Hop Feminism course I took my first semester in the University of Illinois and I encourage the readers to take the leap to learn more about the artists listed below.

I remind you, this is not a comprehensive list, but rather a slight push to help you discover more about these women and hip-hop, motivate you to find other female hip-hop artists, and most importantly, support female MCs.

Meryem Saci

Algerian born, singer/songwriter/MC Meryem Saci is part of a multicultural hip-hop group called Nomadic Massive based in Montreal, Canada. She and her mother fled Algeria due to a civil war and immigrated to Montreal. Saci has not released an album, but she has worked with many international artists and is currently in the process of releasing her first solo project. She is also part of the multimedia agency ‘The Medium’ which includes a roster of other independent artists working together to produce an art form that is free from corporate influence. The following video is an interview with Meryem Saci, who talks about her journey from Algeria to Canada and her experience as a female artist.

“MERYEM SACI – Singer, Songwriter & MC”

Ana Tijoux

Chilean-French singer/songwriter/MC Ana Tijoux first collaborated with a hip-hop group named Mazika. Afterwards, she went solo and was recognized for her single “1977”, which was also featured in the television series ‘Breaking Bad’. The messages in her albums are in Spanish and vary from love, politics, challenging patriarchal systems, birth, motherhood, and more. Tijoux has five albums, which includes her 2014 release ‘Vengo’ which is known for the singles “Vengo” and “Somos Sur.” The video below is a 30 minute interview from Democracy Now.

“Chilean Musician Ana Tijoux on Politics, Feminism, Motherhood & Hip-Hop as ‘Land for the Landless”

Poetic Pilgrimage

London-based, Jamaican-bred, Hip-Hop/spoken word duo ‘Poetic Pilgrimage’ have produced music for many years. Recently, they have been recognized by social media and news outlets such as Al Arabiya, Al Jazeera, HipHopDX, Huffington Post, and many more. As a hip-hop group, Munira Rashida and Sukina Abdul Noor identify as Muslim, and have been working to show the public the similarities shared between their Islamic faith, cultural and ethnic background, and hip-hop culture. Poetic Pilgrimage have released ‘Star Women: The Mixtape’ followed by their 21 track mixtape ‘Star Women,’ including other singles and spoken word releases. The following link is from Aljazeera’s program The Stream that interviews Poetic Pilgrimage, welcomes other Muslim artists, and encourages the public to use social media to become a part of the discussion.

“The Stream – Poetic Pilgrimage rappers strike a chord with Islam”

Shadia Manosur

British-Palestinian artist Shadia Mansour, the “First Lady of Arabic Hip-Hop,” is well-known for her outspoken demeanor and politically charged lyrics. Her songs deal with issues of the oppression and discrimination experienced by underrepresented communities, especially Arabs. She has traveled to Latin America, and has also worked with the non-profit organization Existence is Resistance’ to work and perform with other hip-hop artists and youth in Palestine. Mansour has yet to release an album, but has many singles under her belt, including her most recent track “El Kofeyye Arabeyye” (the Arabic Kufiyyeh).  The video below is a short interview of Shadia Mansour by the United Kingdom’s Foreign & Commonwealth Office.

“Shadia Mansour on creative freedom in Britain”

Rocky Rivera

Filipino-American journalist/instructor/activist/hip-hop artist Rocky Rivera has written articles for magazines such as Rolling Stone and The Source, to name a few. She is the first woman in the record label BeatRock Music and is a feminist gangster MC, just check out her discography and music videos. The last album she released was ‘Gangster of Love’ and a free mixtape ‘Rock & Roz Present Rose Gold.’ The following video is an interview by radio show host Miss Special, who interviews Rocky Rivera about her career from journalist to independent hip-hop artist and involvement in her local community.

“Rocky Rivera Interview”

Soosan Firooz

Soosan Firooz is an Afghani actress hip-hop artist who fled Afghanistan with her family from the Taliban. She lived as a refugee in Iran and Pakistan, and has returned to her home in Afghanistan where she raps about the oppression of Afghan women. Firooz is “Afghanistan’s first female rapper”, but Firooz’s publicity has led to death threats and rejection from some family members. However, she continues to make music with the support of her father and with the conviction to change society and continue to provide for her family. The following video gives the viewer a brief look at Firooz’s life in Afghanistan and the struggles she has to endure being a female artist and a provider for her family.

“Afghanistan’s first female rapper undeterred by threats”

Mayam Mahmoud

Egyptian born Mayam Mahmoud took the public by surprise when she appeared in an American-inspired show, Arabs Got Talent, veiled and rapping on the microphone. A young woman in her early 20s, Ms. Mahmoud has taken it upon herself to rap with a purpose and convey a positive message as counterargument to commercial hip-hop and its debasing lyrics towards women. At a time when the Middle East, especially Egypt, continues to undergo social and political changes, Ms. Mahmoud’s public appearance and perseverance is a sign of her hope to transform misconceptions of women artists and raise awareness of injustices against women.

“Egypt’s first veiled rapper, Mayam Mahmoud”


If you are ready to take the next step, I encourage you to continue your search by visiting the following sites in order to discover more international female MCs:

The following link provides a list of 500+ female hip-hop artists compiled by a person of many hats, Davey D: journalist, adjunct professor, hip-hop historian, talk show host, radio programmer, producer, dee jay, media and community activist. Some links do not work, but do not be discouraged, there are many more artists to discover.

500 Female Emcess Everyone Should Know – (Davey D’s Ultimate List)

Nomadic Wax, is an event production company specializing in international hip-hop. The company recently released a free mixtape ‘World Hip Hop Women SoundSIStem Mixtape hosted by DJ Lajedi.’ The project includes 19 transnational MCs, and you can learn more about them by clicking on the following link:


The last article is a collection of Latin American female hip-hop artists. Although it is a small sample, the featured artists push borders and challenge the stereotypical image of Hispanic women endorsed by corporate media and hip-hop:

Five Women That Are New Voices In Latino Hip-Hop

Finally, the International Area and Studies Library has acquired a new book on international hip-hop that you can check out from our collection of circulating books:

The organic globalizer: hip hop, political development, and movement culture


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