Michael Fanelli

fanelliMichael Fanelli, educator, musicologist, author, and bassist, is Professor Emeritus of Education at the University of Northern Iowa. As string/orchestra specialist at the Malcolm Price Laboratory School there, he authored and taught the string curriculum for grades 4 through 12 based on Rolland Teaching of Action in String Playing materials. In the School of Music he taught a string methods course modeled on Rolland’s University of Illinois pedagogy course. He was applied double bass instructor at the University of Missouri; and Grinnell, Stephens, and Wartburg Colleges.  He has earned degrees in performance (B.M. University of Illinois), musicology (M. A. University of Missouri). and string pedagogy and music education (Ed. D. University of Illinois).

In 1963 he studied string pedagogy with Paul Rolland. He also received a series of double bass lessons with Rolland covering the kinesthetics of performing on the instrument. He later adapted Rolland texts and musical materials for his monograph, Principles of Double Bass Playing. He served on Rolland’s instructional staff at the University of Illinois Summer Youth Music program and as a research assistant on the Illinois String Research Project through the 1960s.

Dr. Fanelli has performed professionally with orchestras throughout the Midwest including the Saint Louis Philharmonic, Champaign-Urbana Symphony, and Waterloo-Cedar Falls Symphony. In 1964 he was a member of the University of Illinois Symphony Orchestra tour of Latin America for the U.S. State Department cultural exchange program.

He has given numerous presentations and published articles for national and international music organizations and professional journals. He is the one of the coauthors of the Suzuki Bass School texts. He served as the double bass ASTA columns editor and is the co-author for the double bass volume of the1997 ASTA String Syllabus.

His dissertation has been cited as a definitive study on Rolland, which is used as a primary source on Paul Rolland internationally. In January 2017 he authored a Rolland biographical article for the ESTA conference in Stocholm Sweden. In 2013 he authored biographical entries on Paul Rolland for The Grove Dictionary of American Music second edition and The New Grove Dictionary of Music and Musicians on Line, both published by Oxford University Press. He is currently writing a biography on Rolland’s life and pedagogy.