Monthly Archives: April 2016

“How Does That Apply to Me?” The Issue With Having to Translate

Juliet Hess Michigan State University Title: “How Does That Apply to Me?” The Issue With Having to Translate Abstract: As a young child, I grew up in one of two Jewish families in a white, Anglo-Saxon Protestant community. My experience

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Posted in research session

The True and Unutterable Great Sin: Heteronormative Discourse in The Etude Music Magazine

Wm. Keith Heimann Boston University Title: The True and Unutterable Great Sin: Heteronormative Discourse in The Etude Music Magazine Abstract: The influence of traditional heteronormative bias can be found in contemporary music education discourse.  Researchers have discovered that challenges to

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Out in the Open: The lived-experiences of an openly homosexual future music educator

Travis Hale Kansas State University Title: Out In The Open: The lived-experiences of an openly homosexual future music educator Abstract: Evident in the current events on campuses across the country, colleges and universities are becoming more aware of the importance of

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Ecstatic Abundance: Queer Temporalities in LGBTQ Studies

Elizabeth Gould University of Toronto Title: Ecstatic Abundance: Queer Temporalities in LGBTQ Studies Abstract: This third conference suggests LGBTQ Studies are normal(izing) in music education. The push to normalize variant sexualities, evident in society and education, notwithstanding music education’s tardiness, is

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An Ethical Response to the “Gender Trouble” in Choral Music

Patrick Freer Georgia State University Title: An Ethical Response to the “Gender Trouble” in Choral Music Abstract: Masculinities. Heteronormativity. Gendered discourse. Misandry. Gender order. These topics have been at the center of a spate of recent articles about the involvement

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Musical and Social Influences on Participation in a LGBA Community Ensemble

Michael W. Hudson University of Kentucky John Okley Egger Indiana University-Purdue University Fort Wayne Title: Musical and Social Influences on Participation in a LGBA Community Ensemble Abstract: The subject of community music involvement has been an area of research interest

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Finding Voice, Musical Theater, and LGBTQ Repertoire: A Performative Autoethnography

Christopher Cayari University of Wisconsin-Madison Title: Finding Voice, Musical Theater, and LGBTQ Repertoire: A Performative Autoethnography Abstract: Autoethnography has afforded researchers ways to explore their own narratives and find voice through the methodic exploration of their own lives and stories.

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Transitioning while Transitioning: Exploring the Perspectives of a Transgender Music Educator on Pre-Service Training and Entering the Field

Sarah Bartolome Northwestern University Title: Transitioning while Transitioning: Exploring the Perspectives of a Transgender Music Educator on Pre-Service Training and Entering the Field Abstract: This single case study design employed narrative strategies to tell the story of Melanie, a transgender

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Posted in research session

Adolescent Voice Change: Enriching the Conversation with Transgender and Musical Perspectives from the Documentary Riot Acts

Bridget Sweet University of Illinois-Urbana Champaign Louis Bergonzi University of Illinois-Urbana Champaign Adolescent Voice Change: Enriching the Conversation with Transgender and Musical Perspectives from the Documentary Riot Acts Most adolescent music students undergo a voice change in middle and high

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Session Titles and Abstracts

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