Copyright as a Tool for Censorship

This post was guest authored by Scholarly Communication & Publishing Graduate Assistant Nicole Moriah Rhodes.


Copyright should be used to encourage speech and not to silence it. The stories below demonstrate that copyright can be used to limit the rights of technology users and censor criticism.

“In practical terms, the DMCA legalized technical controls on access to electronic works; it renders obsolete traditional rules for reading and sharing print materials and, simultaneously, enables content owners to implement a pay-per-use system that controls who has access, when, how much and from where. So, for instance, you can lend a paperback to friends, but you aren’t allowed to do the same thing with an electronic book.”

“The database shows that Ares Rights has filed at least 186 complaints since 2011, with 87 made on behalf of politicians, political parties, state media, and state agencies in the Americas.” (CPJ)

“They were received by political commentators who used images of Correa, transmitted on Ecuadoran public television, in videos uploaded to YouTube, in order to make visible the resistance of local communities to the onslaught of mining communities in the country’s inland provinces. The same thing happened with videos that used stock footage to illustrate the inconsistencies of the President’s statements together with videos of protests against the exploitation of Yasuní national park, and images of repression against students.” (Derechos Digitales)

  • Electronic Frontier Foundation: To be eligible under the DMCA’s safe harbor provisions, companies must comply with legitimate takedown notices. But many hosts end up taking down content that can be legally shared. Copyright takedown notices can be used to hassle critics. Punishing bogus claims is difficult, and the damages for failing to comply can be severe.

“According to the latest numbers, Twitter does not comply with nearly 1 in 4 takedown notices it receives; Wikimedia complies with less than half; and WordPress complies with less than two-thirds. Each organization explains in its report that the notices with which they don’t comply are either incomplete or abusive.”

Closed Doors or Open Access?: Envisioning the Future of the United States Copyright Office

Copyright Librarian Sara Benson

It’s Copyright Week! For today’s theme of “transparency”, Copyright Librarian Sara Benson discusses her thoughts on the Copyright Office activities to review Section 108.


In 2005, the Copyright Office, under the guidance of the Register of Copyrights at the time, Mary Beth Peters, called for a Study Group to convene and review possible amendments to Section 108. A follow up meeting was held in 2012. These meetings were not unusual, but what followed them, was both strange and unsettling.

The procedures after the Study Group, which took place in the summer of 2016 under the guidance of Maria Pallante, were unusual in that they took place in face-to-face meetings between concerned citizens and members of the Copyright Office rather than in a call for online communications between citizens and the Office. On the one hand, this gave the members of the Office a chance to engage in a dialogue with the concerned citizens. On the other, it meant that generally only those with the resources to travel to Washington, D.C. were privileged with the ability to engage with the members of the Office. However, the Office did note that it would engage in telephone conversations, if necessary. In any event, none of these conversations were ever made public.

At that time, it seemed that the Copyright Office was making an intentional move away from a public debate about copyright to a cloistered room with a privileged few. In my view, that move was undemocratic and should be discouraged in the future. Indeed, although the Copyright Office did publish a list of individuals and organizations it met with to discuss Section 108, but the actual subject and content of those discussions remains a mystery.

Notably, shortly after taking office as the new Librarian of Congress, Dr. Carla Hayden removed Maria Pallante from her position as Register of Copyrights. Does this signal a move away from the process that was undertaken to review Section 108? Likely it does, as Librarian of Congress Dr. Hayden has recently taken further steps towards listening to the views of the multitude by openly polling the public about what we would like to see in the next Register of Copyrights.

This is an exciting time to engage with the Copyright Office under Dr. Hayden’s leadership. I encourage everyone reading this essay to add your voice to the ongoing discussions about the changes to the Office, including the selection of the new Register of Copyrights and beyond.

The Importance of File Names

We’ve all been there. You’ve been searching for a file for an hour, sure that you named it ‘draft 2.docx’ or ‘essay.docx’ or ‘FINAL DRAFT I SWEAR.docx’. There’s an hour until your deadline and the print queue is pretty backed up and you cannot find the file.

Again, we’ve all been there. But we don’t have to be.

Creating a naming convention for your files can save you the hassle of searching through files of ‘essay’s and ‘draft’s. Instead, you’ll be able to find files with ease. While everyone should create a system that works for them, here are a few suggestions to think about before choosing a system to name your files.

Think About How You’ll Search For Your Files

Naming conventions are only useful if they actually help you find what you’re looking for. So, create a naming convention that works for how you think about your files! For example, if you’re working with lab data that you save daily, create a system based on the date so your files will be in chronological order.

Keep It Simple!

If you know that you’re not going to want to type out long file names, then don’t choose long file names. Or, if you know that a format will be more difficult for you in the long run, don’t use it in the short run! There are few things more irritating than having to go through and change things because you’ve created a system that’s too complicated.

Change It Up

This is something that I’ve had trouble with — if your system stop working, don’t be afraid to change it up to make things work for you. If your file names are getting too long, or you’re finding that you have trouble differentiating between dates, save yourself a headache by investing some time in creating another style sooner rather than later. That’s not to say that you should go changing all your file names willy-nilly whenever the mood strikes you, but it’s important that you find a way that you can commit to long term.

Resources

If you’re inspired and want to create a new system for naming your files, here are a few resources that you should check out:

Spotlight: Open Culture

The Open Culture logo.

The Internet is the world’s hub for culture. You can find anything and everything from high-definition scans of sixteenth-century art to pixel drawings created yesterday. However, actually finding that content — and knowing which content you are free to use and peruse — can prove a difficult task to many. That’s why Open Culture has made it its mission to “bring together high-quality cultural & entertainment media for the worldwide lifelong learning community.”

Run by Lead Editor Dan Colman, director & associate dean of Stanford’s Continuing Studies Program, Open Culture finds cultural resources that include online courses, taped lectures, movies, language lessons, recordings, book lists, syllabi, eBooks, audio books, text books, K-12 resources, art and art images, music and writing tips, among many other resources. The website itself does not host any of the content; rather, Colman and his team scour the Internet looking for these resources, some of which may seem obvious, but also including many resources that are obscure. Posting daily, the Open Culture team writes articles ranging from “Stevie Nicks “Shows Us How to Kick Ass in High-Heeled Boots” in a 1983 Women’s Self Defense Manual” to “John F. Kennedy Explains Why Artists & Poets Are Indispensable to American Democracy (October 26th, 1963”. Open Culture finds content that is useful, whimsical, timely, or all three.

The Open Culture website itself can be a little difficult to navigate. Links to content can seem hidden in the article format of Open Culture, and the various lists on the right side of the screen are clunky and require too much scrolling. However, the content that you find on the site more than makes up for the website design

Choosing GIMP as a Photoshop Alternative

The GIMP logo.

Image manipulation is a handy skill, but sinking time and money into Adobe Photoshop may not be an option for some people. If you’re looking for an alternative to Photoshop, GIMP is a great bet. Available for almost every operating system, GIMP is open source and free with lots of customization and third party plugin options.

One of the major aspects you lose when moving from Photoshop to GIMP is the loss of a major community and widespread knowledge of the software. While GIMP has its dedicated loyalists and a staff, they lack the same kind of institutional power that Adobe has to answer questions, fix bugs, and provide support. While LinkedIn Learning does provide tutorials on GIMP, there are fewer overall resources for tutorials and help than Photoshop.

That being said, GIMP can still be a more powerful tool than Photoshop, especially if you have a programming background (or can convince someone else to do some programming for you). Theoretically, you could add or subtract any features that you so choose by changing the GIMP source code, and you are free to distribute a version of GIMP with those changes to whomever you choose.

There are a number of pros/cons for choosing GIMP over Photoshop, so here’s a handy list.

GIMP Pros:

  • Free
  • Highly customizable and flexible (with coding expertise)
  • Motivated user community run by volunteers
  • High usability
  • Easier to contact leadership regarding issues

GIMP Cons:

  • Less recognized
  • Changes are more slowly implemented
  • No promise that the software will always be maintained in perpetuity

Of course, there are more pros and cons to using GIMP, but this will give you a basic idea of the pros and cons of switching over to this open-source software.

For more information on GIMP, you can check out the GIMP Wiki, which is maintained by GIMP developers, or The GTK+ Project, which is a toolkit for the creation of graphical user interfaces (GUI). GIMP also provides a series of Tutorials.