Do you enjoy seeing the world? Exploring your country? Maybe just visiting the next town over? No matter if you prefer traveling on or off the beaten path, you have reason to celebrate…
Just this past year, over 1.2 billion travelers made their way across international borders in search of adventure, with that number expected to grow by more than 600 million over the next three years. (Rifai, Official Messages on World Tourism Day, 2017) It’s no surprise, then, that we find tourism sitting pretty as the world’s 3rd-largest industry (Rifai, 2017), nor that big of a stretch to guess that you, or someone you know, thoroughly enjoys traveling.
But what does it mean to travel?
I’ve been lucky enough to study abroad in both Cuernavaca and Barcelona; to explore with my family a swath of Western Europe (Ireland, England, France, Switzerland, Germany, and Italy); to present at a conference in Finland; and even to spend nearly a year living and working on my own in Buenos Aires. Each trip I took was motivated by a unique mix of goals and desires, and I’ve no doubt that the same goes for anyone else who has found themselves on a journey abroad:
Sometimes we travel to study, to immerse ourselves in a fascinating culture and language.
Other times we travel to learn about ourselves, find our limits and step outside our comfort zones.
Maybe we travel for the adventure, the thrill of encountering the unfamiliar and reveling in its newness.
Sometimes we travel to escape, to get away from it all and relax for a while.
All too often, however, travelers focus solely on what they will get from a trip abroad, forgetting that they, too, have an impact on the places they visit—travel and tourism is not a one-way street, after all. With this in mind, and in celebration of #WTD2017, the United Nations World Tourism Organization has released a variety of resources to help travelers be sure that their impact is a positive one. Click on the pictures below to check them out:
Ultimately, if we can remember to TRAVEL, ENJOY, and RESPECT, we can be sure that we are having a positive impact on the economy, environment, and, most importantly, the people of the places our travels take us.
Every fall, for one weekend, some of the most renowned West African drummers and dancers come to Champaign-Urbana for a full weekend of workshops, demonstrations, community-building, and general merriment. The annual festival, called Midwest Mandeng, was first held in 2014 and is organized by a dedicated group of volunteers including me, Mara Thacker, the South Asian Studies Librarian at the International and Area Studies (IAS) Library. A promotional video produced for the first Midwest Mandeng in 2014 explains what it’s all about:
This year, the festival will be October 7th, 8th, and 9th on the University of Illinois campus and downtown Urbana. Be sure to check the full schedule to see all the details on locations and timings.
The IAS Library and the Center for Global Studies are getting in on the action this year by co-sponsoring a special performance with master djembefola, Bolokada Conde, one of the most celebrated master drummers in the world. Originally from Guinea, West Africa, Conde was the lead soloist of Les Percussions de Guinée, a group sponsored by the Guinean government that presents traditional music and dance, especially from the Guinean highlands. For over a decade, he has taught workshops worldwide to beginning and advanced students. While he currently lives in South Carolina, he taught at the University of Illinois at Urbana-Champaign as a visiting professor from 2008-2011, leading Mande drumming, rhythms, and songs.
Bolokada plays djembe at a demonstration at the Urbana Free Library at Midwest Mandeng 2015.
On Friday, October 7, 2016, from 4:00-5:00 p.m., Bolokada will visit the IAS Library to share his stories and experiences touring and performing all over the world, and showcase some of the Malinke rhythms that he has mastered over the years. This event is free and open to the public.
If you feel inspired by the event, check out some of the drum and dance workshops held in the studio rehearsal space in the Krannert Center for the Performing Arts. All of the workshops are open to all experience levels and drums can be borrowed free of charge on a first-come, first-served basis. Check out the event website for more information, or contact Mara Thacker at email@example.com.
For visuals to accompany the audio, YouTube has a number of recordings available of Guinea’s national dance company, Les Ballets Africains. Also, some of the company’s amazing past productions are on on YouTube. One particularly inspiring piece is a clip of the troupe performing the rhythm dundunba, which is the dance of the strong man and also one of the de facto party dances in celebrations in Guinea.
There will be a community dundunba party as part of Midwest Mandeng where you can try out some dance moves or hear the rhythm in person. Check out the Facebook event page and join in on the fun!
Glocal Notes: Your book takes as its thesis that national sovereignty can be, more than many other means under colonial rule, expressed through athletics. What are some of the real impacts on politics or public opinion that have occurred as a result of Puerto Rico’s competition and success as a team in internationally?
Antonio Sotomayor: It depends on what you mean by “real.” I view Olympic sport, and sport overall, not only as representative of politics or culture, but as politics as such and as a cultural medium. In that regard, Puerto Rico’s membership as a sovereign nation in the Olympic Movement has “real” implications in the different dynamics involved in the Olympic movement that include international relations, foreign diplomacy, representations of the nation, women’s agency in a patriarchal society, etc. Hence, Olympic participation for Puerto Ricans has given them a voice on several international political issues throughout the existence of the delegation including the Good Neighbor policy, post-WWII reconstructions, different Cold War boycotts, etc. For example, in my book, I dedicate a chapter to the Cold War conflicts that came with Puerto Rico’s hosting of the Central American and Caribbean Games in San Juan in 1966 and discuss the different ways Puerto Ricans navigated Cold War and regional politics in relation to the participation of Revolutionary Communist Cuba. Some Puerto Ricans, as allies of the United States, wanted to exclude the Cuban delegation due to their communist ideologies and were even willing to go against any policy by the U.S. to uphold their beliefs. Other Puerto Ricans – those who sympathized with Communist Cuba – defended their Caribbean “brothers” and were willing to risk their freedom to do this. This event caught the attention of the regional and international media and the resolution involved the direct intermediation of the International Olympic Movement led by an American, Avery Brundage (President of the International Olympic Committee), and a Soviet, A. Andrianov (Vice-President).
GN: The internationally competing Iroquois Nationals lacrosse team is another example of sovereignty through sports. Can you tell us about any other examples of this phenomenon, whether historical, current, or in the planning stages.
AS: The Philippines competed at the 1916 East Asian Games as a sovereign country despite being a U.S. colony. Scotland participates as a sovereign nation in the FIFA World Cup – but with Great Britain at the Olympic Games. Taiwan participates as a sovereign nation at the Olympic Games as Chinese Taipei.On the other hand, the lack of Olympic sovereignty, despite being a cultural nation, can be seen in places like Catalonia, in Spain, which has petitioned to be recognized as an Olympic nation since the early twentieth century. These examples only portray how the Olympic Movement, rather than an apolitical movement focused on entertainment, makes very political decisions by allowing some countries to participate and denying recognition to others.
Sotomayor, Antonio. (2016) The Sovereign Colony: Olympic Sport, National Identity, and International Politics in Puerto Rico. Lincoln: University of Nebraska Press.
GN: In your opinion, what are Puerto Rico’s chances of becoming a U.S. state or otherwise altering its political status in any way?
AS: Under the current socio-political, economic, and cultural conditions in the United States, I highly doubt that Puerto Rico will become a state of the Union. As for altering its status in any way, we’ll have to keep paying attention.
GN: There has been much in the news lately about Puerto Rico’s economic situation. Can you explain a bit about this?
AS: This is a very complicated issue and given that I’m not an economist, I might be misrepresenting the issue. But in very general terms, Puerto Ricans have had a complicated relationship with the U.S. and have grown increasingly dependent on U.S. markets. This occurred as early as 1898 when the U.S. took possession of the island after the Spanish-American War by transforming the growing local economy to fit U.S. capitalistic market interests. Local capital was destroyed in order to create dependency on U.S. goods and capital. This did not only happen through one-sided U.S. intervention; local capitalists who benefited from the new relations were also involved. Reforms during the mid-twentieth century only brought in further investment by providing tax incentives, a practice that continued until the 1970s. After new free trade agreements allowed U.S. businesses to relocate to cheaper markets, Puerto Rico slowly lost its edge and Congress eliminated the provisions for the tax incentives during a ten-year process, from 1996-2006. The remaining companies that left in 2006, coupled with the Great Recession of 2008, created a “down-spiral of death” in the economy. Again, I’m oversimplifying the process. I would recommend that those interested in these issues read Judge Juan Torruella’s recent speech at the John Jay School of Law for a brilliant summary of the crisis.
GN: You open your book with a description of the thrill you felt while watching the live broadcast of Puerto Rico’s basketball team as they defeated the U.S. “Dream Team,” 92 points to 73, at the 2004 Summer Olympic Games in Athens. What are some other important events in Puerto Rican athletic history?
AS: My book is not really a chronicle of great games or great events in Puerto Rican sport history. As a U.S. colony, I think the greatest event in Puerto Rico’s Olympic history is having an Olympic delegation in the first place, a process negotiated with the most powerful empire the world has known. This story of Olympic agency and will is Puerto Rico’s greatest achievement.
GN: Finally, if our readers ever travel to Puerto Rico, what are some must-do, sports-related activities they should add to their itinerary?
AS: They should attend a professional baseball game during the winter season. The Professional Baseball League of Puerto Rico was established in 1938 and was, along with the one in Cuba, a training ground for some Hall of Fame major leaguers like Willie Mays, Josh Gibson, Perucho Cepeda, and Puerto Rico’s national hero, Roberto Clemente. The league champions participate at the famous Caribbean Series of professional baseball. They should also attend a basketball game of Puerto Rico’s Baloncesto Superior Nacionalleague, the island’s most popular sport along with baseball. At these games, the visitor will experience Caribbean sports, which are full of passion, music, and talent. As for sightseeing, they should visit the Parque Sixto Escobar, an art-deco stadium from 1935, named after Puerto Rico’s first boxing hero. The stadium is next to the popular Escambrón Beach. You can also visit the Casa Olímpica de Puerto Rico, Puerto Rico’s Olympic Headquarters. Occupying the original YMCA building, the facility is great for hosting events and has an Olympic gym open to the public. A must-visit is Puerto Rico’s Albergue Olímpicoin Salinas. There are athletic facilities to practice many sports and recreational activities. There are also children’s parks and pools, and you can visit Puerto Rico’s Olympic Museum.
Let us know your favorite female directors and/or movies directed by women in the comments below!
The iconic “We Can Do It!” poster associated with Rosie the Riveter and female empowerment.
We heard you all loud and clear– you loved our March post on female authors from around the world! Just because Women’s History Month is over doesn’t mean we can’t highlight more talented female artists. So this week we bring you a post with films by female directors. And if you need further justification other than “we think it’s an interesting topic”, you may also be interested to know that:
April is Sexual Assault Awareness Month, and gender-based violence is a theme or undercurrent of many international documentary and feature films by women directors,
On Tuesday, April 5th from 7:00-9:00 pm the International and Area Studies Library is co-sponsoring a screening of one such film, “India’s Daughter” at the Spurlock Museum,
Renowned director Pang Eun-jin will be visiting the University of Illinois to screen two of her films, “The Way Back Home”, and “Perfect Number” on April 25, and 26 respectively.
Without further ado, here are a few fantastic films directed by a selection of talented women from around the world:
Tags: India, United Kingdom, Jyoti Singh, rape, documentary
“India’s Daughter” is a harrowing documentary recounting the infamous 2012 gang rape case in New Delhi which resulted in the death of a young girl, Jyoti Singh. Both the incident and the subsequent release of the film sparked protests and international conversations about women’s rights and violence against women. The film was banned from screening in India but has nonetheless had a worldwide impact, having been screened in countries all around the globe. One of the aspects of the film that makes it controversial is that the director, Leslee Udwin, is not a South Asian, and the film cannot help but comment on societal conditions and attitudes that contributed to the incident. The film is also difficult to watch because it gives voice to the rapists, their legal counsel, and the families of the rapists including the wife of one of the rapists who laments her suffering and the suffering of her children while her husband is in jail awaiting possible execution. .
Poster designed by Rachel Storm to advertise the April 5th screening of the film “India’s Daughter”.
More like this: “Saving Face” a documentary on acid attacks in Pakistan by Academy Award-winning Pakistani director Sharmeen Obaid Chinoy; “Salma” a documentary by Kim Longinotto telling the story of a Muslim poet and politician in Tamil Nadu, India who was locked away and confined in her home by her family for many years.
Tags: Saudia Arabia, Islam, girls, mothers and daughters, feature films
“Wadjda” is a bittersweet film about a little girl in Saudi Arabia who dreams of owning her own bicycle so she can race with her neighborhood friend. Her mother doesn’t want to buy her the bike because it is not considered a proper toy for girls. Wadjda decides to enter a Koran recitation contest so she can use the prize money to buy the bike herself. Just as Wadjda is running into walls about what is proper for women, we also see her mother struggle with this as her husband searches for a second wife and copes with an overly challenging commute to work as, presumably, she is not allowed to drive herself. The film manages to find hope and humor in conditions where women’s lives are heavily policed from an early age. The film is all the more remarkable in that it is the first feature film shot entirely in Saudi Arabia. In an interview with NPR, director Haifaa Al-Mansour recounts the logistical challenges of trying to shoot the film in a country where she is not supposed to be outside or mingling with men to whom she is not related.
More like this: “Blackboards” by Iranian filmmaker Samira Makhmalbaf, a feature film about the lives of Kurdish refugees after the Iran-Iraq war; “The Square” by Egyptian filmmaker Jehane Noujaim on the Arab Spring.
Tags: France, black diaspora, coming-of-age films, gangs, adolescence, feature films
“Girlhood” is an intense and complicated film to watch, especially as an American [viewer] in a time when racism and civil rights is dominating the news. While this film is set in France, this film shows the ways in which race and economics are inextricably linked, irrespective, it would seem, of one’s country of origin. These considerations become even more complicated when one realizes that the director, Celine Sciamma, is white. On the one hand, “Girlhood” is supposed to be a coming-of-age story, where race is just one small part of a larger context that focuses on the development of a single character. On the other hand, that character is developing within the context of joining a neighborhood gang, fighting, drugs, prostitution, and an abusive family. These issues are thoughtfully considered in an interview between Celine Sciamma and Ghanaian-born film and culture writer Zeba Blay. Taking aside the complicated racial politics of this story, this film is also worth watching for its beautiful cinematography and the masterful acting by newcomer actress Karidja Toure who plays the lead role of Marieme. Like “Wadjda,” the film finds some hope and humor within a bleak situation, but with an ending that leaves the viewer anxious: one is befuddles as to whether the s/he is seeing a happy ending or the set-up for a tragedy waiting to happen.
More like this: Celine Sciamma has two other coming-of-age films, “Tomboy” and “Water Lilies“. To try out a different French female director, you can also check out the work of Agnes Jaoui. The library has several of her films and if you need a break from serious films on difficult social conditions, you can start with her 2000 comedy, “The Taste of Others“.
Tags: South Korea, friendship, young women, cats, feature films
“Take Care of My Cat” is a 2004 feature film about a group of friends who struggle to maintain their friendship and find their way after graduating high school in South Korea. One of the five girls, Hae-joo moves out of their smaller city of Inchon to try to make a new life in the more glamorous capital city, Seoul. Her success and ambition alienate her from other friends, most especially Ji-young. Ji-young is trapped by an impoverished home situation and has dreams that feel unattainable and hopeless. Trapped in between these two is Tae-hee who has both ambition and a difficult home situation. Tae-hee ends up in a place where she must choose between her two friends and in doing so choose a vision for her future. Observing the ways in which particular cultural conditions in South Korea impacted the girls’ choices and behavior was compelling while also considering the ways in which their struggles are universal. For example, Ji-young was unable to get a job she had applied for because she didn’t have an immediate relative to vouch for her, a custom that is largely irrelevant in the United States. Like women all over the world, for these girls becoming independent requires tough choices and unexpected development that can transform their personalities and values.
More like this: If you’re looking for another Korean film but would like to learn about North Korea, check out Yang Yonghi’s documentary “Dear Pyongyang“. For something completely different but still from East Asia, check out Joan Chen’s film “Xiu Xiu: The Sent Down Girl“.
Be sure to comment below letting us know what films you’d recommend that are directed by women or featuring them in lead roles. And be sure to like our Facebook page for more posts like these.